<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-3866154621293818565</id><updated>2012-02-08T12:56:21.262-08:00</updated><category term='Reseña del coloquio 2009'/><category term='Cartel III Coloquio Internacional Gótico'/><title type='text'>V COLOQUIO GÓTICO INTERNACIONAL. Facultad de Filosofía y Letras, UNAM, Marzo 2012</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>35</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-8759494791317690338</id><published>2012-02-08T12:55:00.000-08:00</published><updated>2012-02-08T12:56:21.269-08:00</updated><title type='text'>Programa del V Coloquio Gótico Internacional, 2012</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/-eeiYSaGyxaI/TzLhX4eei4I/AAAAAAAAANY/YbQRmMr9D9w/s1600/Cartel%2B12.jpg"&gt;&lt;img style="float:left; 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&lt;!--  /* Font Definitions */ @font-face  {font-family:Arial;  panose-1:2 11 6 4 2 2 2 2 2 4;  mso-font-charset:0;  mso-generic-font-family:auto;  mso-font-pitch:variable;  mso-font-signature:-536859905 -1073711037 9 0 511 0;} @font-face  {font-family:Arial;  panose-1:2 11 6 4 2 2 2 2 2 4;  mso-font-charset:0;  mso-generic-font-family:auto;  mso-font-pitch:variable;  mso-font-signature:-536859905 -1073711037 9 0 511 0;} @font-face  {font-family:Calibri;  panose-1:2 15 5 2 2 2 4 3 2 4;  mso-font-charset:0;  mso-generic-font-family:auto;  mso-font-pitch:variable;  mso-font-signature:-520092929 1073786111 9 0 415 0;}  /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal  {mso-style-unhide:no;  mso-style-qformat:yes;  mso-style-parent:"";  margin:0cm;  margin-bottom:.0001pt;  mso-pagination:widow-orphan;  font-size:12.0pt;  font-family:"Times New Roman";  mso-fareast-font-family:"Times New Roman";  mso-ansi-language:ES;  mso-fareast-language:ES;} p.Default, li.Default, div.Default  {mso-style-name:Default;  mso-style-priority:99;  mso-style-unhide:no;  mso-style-parent:"";  margin:0cm;  margin-bottom:.0001pt;  mso-pagination:widow-orphan;  mso-layout-grid-align:none;  text-autospace:none;  font-size:12.0pt;  font-family:Calibri;  mso-fareast-font-family:"Times New Roman";  mso-bidi-font-family:Calibri;  color:black;  mso-ansi-language:ES;  mso-fareast-language:ES;} .MsoChpDefault  {mso-style-type:export-only;  mso-default-props:yes;  font-size:10.0pt;  mso-ansi-font-size:10.0pt;  mso-bidi-font-size:10.0pt;} @page WordSection1  {size:612.0pt 792.0pt;  margin:72.0pt 90.0pt 72.0pt 90.0pt;  mso-header-margin:36.0pt;  mso-footer-margin:36.0pt;  mso-paper-source:0;} div.WordSection1  {page:WordSection1;} --&gt; &lt;/style&gt;       &lt;p style="color: rgb(255, 255, 51);" class="MsoNormal"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Martes 27 de marzo / Salas A y B&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="color: rgb(204, 204, 204);" class="MsoNormal"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="color: rgb(204, 204, 204);" class="MsoNormal"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style=" ;font-family:Arial;font-size:11pt;"  lang="ES-MX" &gt; &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 255, 255);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;11:00 &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;Inauguración y mesa redonda &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;(español) ‘&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;Otredad, muerte y lo gótico’&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;Modera: Iván Pozos (FES Iztacala, UNAM)&lt;/span&gt;&lt;i&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;Anna Reid&lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt; (UAEM) ‘&lt;/span&gt;&lt;i&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;El corazón de las tinieblas&lt;/span&gt;&lt;/i&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;: degeneración y salvajismo’&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;Marina Fe&lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt; (FFyL, UNAM) ‘El gótico católico de Flannery O'Connor’ &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;Marisol Arteaga Contreras&lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt; (FFyL, UNAM) ‘El tratamiento irónico de la muerte en "A Later Encounter with the Enemy" de Flannery O'Connor’&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;Antonio Sustaita&lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt; (UGTO) y &lt;b style="color: rgb(255, 255, 255);"&gt;Liuva Sustaita&lt;/b&gt; (UNAM) ‘Música, laberinto y danza: elementos generadores de otredad en el &lt;i&gt;Cisne Negro&lt;/i&gt;’&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Antonio Alcalá González&lt;/span&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;(ITESM, ccm&lt;a name="_GoBack"&gt;&lt;/a&gt;) ‘Presentación de las Memorias del Coloquio Gótico Internacional III y IV’&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="line-height: 150%;font-family:Arial;font-size:10pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;i&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  &gt;13:00 &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  &gt;Conferencia (inglés) Alfred Bendixen&lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  &gt;&lt;span style="color: rgb(255, 255, 255);"&gt; (&lt;/span&gt;Texas A&amp;amp;M University, EE.UU.) &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 255, 255);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  &gt;‘Sources of Terror in American Culture’&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;Presenta: Antonio Alcalá (FFyL, UNAM)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="line-height: 150%;font-family:Arial;font-size:10pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;i&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  &gt;16:00 &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  &gt;Conferencia (español) Jessica Courtney Locke &lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  &gt;(University of Mary Washington, EE.UU.) &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 255, 255);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;‘Cómo la vida imita al arte: Los aspectos góticos de la vida y obra de Michael Jackson’&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;Presenta: Gerardo Ortiz (Facultad de Psicología, UNAM)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify; line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt; &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="line-height: 150%;font-family:Arial;font-size:10pt;"  lang="ES" &gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 255, 255);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;18:00 &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;Mesa redonda (español) ‘Lo gótico en la literatura y más allá’&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;Modera: Gerardo Ortiz (Facultad de Psicología, UNAM)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;Jorge Hernando Pacheco Gómez&lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt; (Universidad Nacional de Colombia) ‘La constante emergencia de lo gótico, o la realidad de la noche expresada a través del sueño’&lt;b&gt;&lt;span style="font-variant:small-caps"&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;&lt;span style="color: rgb(255, 255, 255);"&gt;José Nava Díaz&lt;/span&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;(FFyL, UNAM) ‘De demonio a fantasma, del ideario colectivo a la literatura’&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Germán Rafael Quiñones Nava&lt;/span&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;(UNAM) ‘El castillo de los Cárpatos; la incursión Verniana en la Literatura Gótica’&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;&lt;span style="color: rgb(255, 255, 255);"&gt;María Virginia Ventura&lt;/span&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;(&lt;em&gt;&lt;span style=" font-style:normal;font-family:Arial;" &gt;Universidad Nacional de Villa María / Universidad Católica de Córdova&lt;/span&gt;&lt;/em&gt;, Argentina)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;‘La mirada gótica del vampiro Lestat hacia la postmodernidad’&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Rodrigo Alejandro Vázquez Zavala&lt;/span&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;(&lt;/span&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;CONACULTA) ‘Cuando la realidad supera la ficción’&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 255, 51);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;&lt;span style="color: rgb(255, 255, 51);"&gt;Miércoles 28 de marzo / Salón de Actos&lt;/span&gt; &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt; &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="line-height: 150%;font-family:Arial;font-size:10pt;"  lang="ES" &gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 255, 255);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;10:00 &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;Mesa Redonda (español) ‘Algunas expresiones góticas en México y Argentina’&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;Modera: &lt;/span&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;Marisol Arteaga (FFyL, UNAM)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify; line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Francisco Lima Baca&lt;/span&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;(El Colegio de México) ‘&lt;/span&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;La pluralidad gótica en las publicaciones mexicanas del siglo XIX: el caso de &lt;i&gt;El Año Nuevo&lt;/i&gt; y &lt;i&gt;El Recreo de las Familias’&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="Default" style="text-align: justify; line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;span style="line-height:150%;font-family:Arial;font-size:10.0pt;"  lang="ES" &gt;Ramón Bárcenas de Anda&lt;/span&gt;&lt;/b&gt;&lt;span style="line-height:150%; font-family:Arial;font-size:10.0pt;"  lang="ES" &gt; (Universidad de Guanajuato)&lt;/span&gt;&lt;span style="line-height:150%;mso-ansi-language: ES-MXfont-family:Arial;font-size:10.0pt;"  lang="ES-MX" &gt; ‘La experiencia de la muerte en &lt;i&gt;Pedro Páramo’&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="Default" style="text-align: justify; line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;span style="line-height:150%;font-family:Arial;font-size:10.0pt;"  lang="ES" &gt;Inés Ordiz Alonso-Collada&lt;/span&gt;&lt;/b&gt;&lt;span style="line-height: 150%;font-family:Arial;font-size:10.0pt;"  lang="ES" &gt; (Universidad de León, España) ‘El vampiro como monstruo gótico en Argentina: las visiones paródicas de Julio Cortázar y Griselda Gambaro’&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify; line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;&lt;span style="color: rgb(255, 255, 255);"&gt;José Eduardo Serrato&lt;/span&gt; Córdova &lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;(Filológicas, UNAM) ‘La recepción del Cyberpunk en México’&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt; &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="line-height: 150%;font-family:Arial;font-size:10pt;"  lang="ES" &gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;i&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;12:00 &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Mesa Redonda (español) ‘Otredades / sedadertO’&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;Modera: Carlos Ortega (ITESM, ccm)&lt;/span&gt;&lt;i&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Hugo Chávez Mondragón&lt;/span&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;(UAQ) ‘Sinécdoque psíquica y procesos de multiplicidad en el corazón delator.’&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify; line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;Antonio Alcalá González&lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt; (ITESM, ccm) ‘Turin: el héroe gótico de Tolkien’&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify; line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-TRAD" &gt;Alicia Basilio Medina&lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-TRAD" &gt; (UAM)&lt;/span&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt; ‘&lt;/span&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-TRAD" &gt;Lo monstruoso y el &lt;/span&gt;&lt;i&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;doppelgänger &lt;/span&gt;&lt;/i&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-TRAD" &gt;en la película &lt;i&gt;Possession&lt;/i&gt; de Andrzej Zulawski’&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify; line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Aurora Piñeiro Carballeda&lt;/span&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;(FFyL, UNAM) ‘&lt;/span&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;El espacio y la atmósfera en &lt;i&gt;The Woman in Black&lt;/i&gt;, de Susan Hill’&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;i&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:11pt;"  lang="ES" &gt; &lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="line-height: 150%;font-family:Arial;font-size:10pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 255, 255);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  &gt;16:00 &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  &gt;Mesa Redonda (inglés) ‘The Versatility of the Gothic’&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;Modera: Rafael Ayala (ITESM, ccm)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  &gt;Wanalee Ocasia Romero&lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  &gt; (Northwestern University, EE.UU.) ‘Mexican (and) American Gothic: Xtabay and the Darkside of U.S. / Mexico Relations’&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;Gerardo Piña&lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt; (escritor) ‘R.L. Stevenson’s “Olalla&lt;i&gt;”&lt;/i&gt;. &lt;/span&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  &gt;The Last 19th-Century Gothic Story?’&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  &gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Clark Murray&lt;/span&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  &gt;(ITESM, ccm) ‘Gothic finds a home in Faulkner’s Mississippi’&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;i&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:11pt;"  &gt; &lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;span  lang="ES" style="font-family:Arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 255, 51);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span  lang="ES" style="font-family:Arial;"&gt;Jueves 29 de marzo / Salas A y B&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt; &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="line-height: 150%;font-family:Arial;font-size:10pt;"  lang="ES" &gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;i&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;10:00 &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;Mesa redonda (español) ‘Más allá (o más atrás) del canon gótico’ &lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;Modera: Irene Artigas (FFyL, UNAM)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify; line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;José Ricardo Chaves&lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt; (FFyL, UNAM) ‘H.H. Ewers, ¿un gótico alemán?’&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify; line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-TRAD" &gt;Luis Javier Cuesta Hernández&lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-TRAD" &gt; (UIA) ‘Artistas y mecenas en la pintura gótica española’&lt;/span&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify; line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;Nelya Babynets&lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt; (FFyL, UNAM) ‘El ayer del arte gótico’&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="line-height: 150%;font-family:Arial;font-size:10pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;i&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  &gt;13:00&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  &gt; Conferencia (inglés) William Moss&lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  &gt; (Wake Forest University, EE.UU.) &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 255, 255);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  &gt;‘The American Border Gothic, from Brockden Brown to Cormac McCarthy’&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;Presenta: Antonio Alcalá (FFyL, UNAM)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt; &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="line-height: 150%;font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;i&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;16:00&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt; Conferencia (español) Carlos Alberto Vargas Prado&lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt; (Facultad de Psicología de la UNAM) &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 255, 255);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;‘&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;El Fantasma Perverso en la Literatura Sadiana: Herido de Muerte por su Flagrante Contraste con la Ley del Deseo... "Pero, Sin Embargo"’&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;Presenta: Antonio Alcalá (FFyL, UNAM)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt; &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="line-height: 150%;font-family:Arial;font-size:10pt;"  lang="ES" &gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;i&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;18:00 &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;Mesa redonda (español) ‘La pluralidad gótica’&lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;Modera: Carlos Melo (FFyL, UNAM)&lt;/span&gt;&lt;i&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;Antonieta López Ricoy&lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt; (FFyL, UNAM) ‘El gótico en el cine de horror contemporáneo’&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Sergio Antonio Martínez García&lt;/span&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;(Universidad de Guanajuato, campus León) ‘&lt;/span&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;El apocalipsis zombi’&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify; line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;Vanessa Tello Hernández&lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt; (FFyL, UNAM) ‘Zombies: Del oscurantismo afro-caribeño a &lt;i&gt;The Walking Dead’&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-right: -42.6pt; text-align: justify; line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Erick Soria Aguirre&lt;/span&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES-MX" &gt;(UAM) ‘La escena gótica; una perspectiva antropológica’&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify; line-height: 150%; color: rgb(204, 204, 204);"&gt;&lt;span style="font-size:100%;"&gt;&lt;b style="color: rgb(255, 255, 255);"&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt;Eduardo Díaz Martínez&lt;/span&gt;&lt;/b&gt;&lt;span style=" line-height: 150%; font-family:Arial;font-size:10pt;"  lang="ES" &gt; (FFyL, UNAM) ‘Gótico, el &lt;i&gt;soundtrack&lt;/i&gt;: un breve vistazo a la oscuridad subyacente en algunos casos de la música occidental popular moderna’&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;      &lt;style&gt; &lt;!--  /* Font Definitions */ @font-face  {font-family:Arial;  panose-1:2 11 6 4 2 2 2 2 2 4;  mso-font-charset:0;  mso-generic-font-family:auto;  mso-font-pitch:variable;  mso-font-signature:-536859905 -1073711037 9 0 511 0;} @font-face  {font-family:Arial;  panose-1:2 11 6 4 2 2 2 2 2 4;  mso-font-charset:0;  mso-generic-font-family:auto;  mso-font-pitch:variable;  mso-font-signature:-536859905 -1073711037 9 0 511 0;} @font-face  {font-family:Calibri;  panose-1:2 15 5 2 2 2 4 3 2 4;  mso-font-charset:0;  mso-generic-font-family:auto;  mso-font-pitch:variable;  mso-font-signature:-520092929 1073786111 9 0 415 0;}  /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal  {mso-style-unhide:no; 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font-weight: bold;"&gt;El programa  del V Coloquio Gótico Internacional 'La Pluralidad Gótica' (martes 27, miércoles 28 y jueves 29 de Marzo, 2012) se publicará a principios de Febrero próximo.&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-4890705564285250325?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/4890705564285250325/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=4890705564285250325' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/4890705564285250325'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/4890705564285250325'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2012/01/programa-marzo-2012.html' title='Programa Marzo 2012'/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-8423358482921466329</id><published>2011-04-16T09:30:00.001-07:00</published><updated>2011-04-19T19:12:27.002-07:00</updated><title type='text'>Reseña del IV Coloquio Gótico Internacional (abril, 2011).</title><content type='html'>&lt;style&gt;@font-face {   font-family: "Times"; }@font-face {   font-family: "ＭＳ 明朝"; }@font-face {   font-family: "Cambria Math"; }@font-face {   font-family: "Cambria"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: Cambria; }.MsoChpDefault { font-family: Cambria; }div.WordSection1 { page: WordSection1; }&lt;/style&gt;     &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: rgb(204, 204, 204);font-family:Times;"  lang="ES-TRAD"&gt;El IV Coloquio Gótico internacional, "Lo Gótico y su encuentro con la tecnología" fue el marco para la continuidad de lo realizado en los tres primeros coloquios.&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style=""&gt;&lt;span style="color: rgb(204, 204, 204);font-family:Times;"  lang="ES-TRAD"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-family:Times;"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: rgb(204, 204, 204);font-family:Times;"  lang="ES-TRAD"&gt;Además de las ponencias que, recogiendo lo propuesto por el nombre del coloquio, abordaron la relación de lo gótico con la ciencia ficción, el cyberpunk y la postmodernidad, el evento contó con visiones variadas y plurales que contribuyeron a demostrar que la presencia de lo gótico va más allá de las barreras de lugar, tiempo y medio de expresión. Las propuestas presentadas en el coloquio llevaron al público en un recorrido desde las manifestaciones góticas en cine y literatura de México y Latinoamérica, hasta la revisión de las transmutaciones de lo gótico en el contexto anglosajón. También se revisaron la irrupción de lo gótico en el diseño de sepulcros medievales y su vínculo con la aparición de la palabra impresa. Por otro lado, huéspedes ya frecuentes del coloquio como H.P. Lovecraft, la figura del vampiro, y el gótico victoriano reaparecieron dentro del evento, al tiempo que nuestros participantes demostraron que la reflexión en relación a dicho autor y temas, aún ofrece múltiples alternativas en aproximaciones de estudio.&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style=""&gt;&lt;br /&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-family:Times;"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: rgb(204, 204, 204);font-family:Times;"  lang="ES-TRAD"&gt;En esta ocasión, se realizó la presentación del primer volumen electrónico de memorias del Coloquio. Esta edición recoge textos presentados en las mesas de los Coloquios I y II (2008 y 2009), y servirá como el primer precedente para que el público pueda tener acceso a los trabajos que han conformado el acervo de conocimiento que ha confluido dentro del coloquio. El documento electrónico puede consultarse en:&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="color: rgb(255, 102, 0);"&gt;&lt;span style="color: rgb(255, 153, 0);font-family:Times;"  lang="ES-TRAD"&gt;http://issuu.com/coloquiogoticointernacional/docs/memoriasdelcoloquiogoico&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style=""&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-8423358482921466329?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/8423358482921466329/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=8423358482921466329' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/8423358482921466329'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/8423358482921466329'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2011/04/resena-del-iv-coloquio-gotico.html' title='Reseña del IV Coloquio Gótico Internacional (abril, 2011).'/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-8665933724173948978</id><published>2011-04-16T09:27:00.000-07:00</published><updated>2011-04-19T18:23:42.273-07:00</updated><title type='text'>Inauguración del IV Coloquio (2011) bajo una perspectiva lacaniana.</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-tnKfLIJeWts/TanD7MorxWI/AAAAAAAAANE/f5U6Ec6PmF4/s1600/IMG_8828.JPG"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px; height: 240px;" src="http://3.bp.blogspot.com/-tnKfLIJeWts/TanD7MorxWI/AAAAAAAAANE/f5U6Ec6PmF4/s320/IMG_8828.JPG" alt="" id="BLOGGER_PHOTO_ID_5596219433756116322" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-8665933724173948978?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/8665933724173948978/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=8665933724173948978' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/8665933724173948978'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/8665933724173948978'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2011/04/inauguracion-del-iv-coloquio-2011-bajo.html' title='Inauguración del IV Coloquio (2011) bajo una perspectiva lacaniana.'/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-tnKfLIJeWts/TanD7MorxWI/AAAAAAAAANE/f5U6Ec6PmF4/s72-c/IMG_8828.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-1139328383094691280</id><published>2011-04-16T09:10:00.000-07:00</published><updated>2011-04-19T18:23:35.497-07:00</updated><title type='text'>La pluralidad de temas y presencia del gótico fue objeto de análisis desde el primer día.</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-gA7f3C04im0/TanDM4kFbWI/AAAAAAAAAM0/TEj4U_IIKT4/s1600/DSC03379.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 240px;" src="http://4.bp.blogspot.com/-gA7f3C04im0/TanDM4kFbWI/AAAAAAAAAM0/TEj4U_IIKT4/s320/DSC03379.JPG" alt="" id="BLOGGER_PHOTO_ID_5596218638094134626" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-TJHoQCwZYl8/TanDBl5H1HI/AAAAAAAAAMs/mkyFiCfmtbk/s1600/DSC03388.JPG"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px; height: 240px;" src="http://1.bp.blogspot.com/-TJHoQCwZYl8/TanDBl5H1HI/AAAAAAAAAMs/mkyFiCfmtbk/s320/DSC03388.JPG" alt="" id="BLOGGER_PHOTO_ID_5596218444103537778" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-AFmDDPk_Flw/TanCWKyzrlI/AAAAAAAAAMk/KgVicZZRCxQ/s1600/DSC03556.JPG"&gt;&lt;br /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-1139328383094691280?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/1139328383094691280/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=1139328383094691280' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/1139328383094691280'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/1139328383094691280'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2011/04/la-pluralidad-de-temas-y-presencia-del.html' title='La pluralidad de temas y presencia del gótico fue objeto de análisis desde el primer día.'/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-gA7f3C04im0/TanDM4kFbWI/AAAAAAAAAM0/TEj4U_IIKT4/s72-c/DSC03379.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-963126958097683243</id><published>2011-04-16T09:07:00.000-07:00</published><updated>2011-04-19T18:23:15.676-07:00</updated><title type='text'>Jessica Locke (University of Mary Washington) en un análisis de elementos góticos en El angel exterminador, de Buñuel.</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-KJBR8_mIMgA/TanDVg-tueI/AAAAAAAAAM8/qV9u7cKK0CQ/s1600/DSC03556.JPG"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px; height: 240px;" src="http://3.bp.blogspot.com/-KJBR8_mIMgA/TanDVg-tueI/AAAAAAAAAM8/qV9u7cKK0CQ/s320/DSC03556.JPG" alt="" id="BLOGGER_PHOTO_ID_5596218786382199266" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-0wlrTGRKwCw/Tam_XjnsiUI/AAAAAAAAAMc/-iMV90mYQm0/s1600/DSC03476.JPG"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 320px; height: 240px;" src="http://2.bp.blogspot.com/-0wlrTGRKwCw/Tam_XjnsiUI/AAAAAAAAAMc/-iMV90mYQm0/s320/DSC03476.JPG" alt="" id="BLOGGER_PHOTO_ID_5596214423404185922" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-963126958097683243?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/963126958097683243/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=963126958097683243' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/963126958097683243'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/963126958097683243'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2011/04/jessica-locke-university-of-mary.html' title='Jessica Locke (University of Mary Washington) en un análisis de elementos góticos en El angel exterminador, de Buñuel.'/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-KJBR8_mIMgA/TanDVg-tueI/AAAAAAAAAM8/qV9u7cKK0CQ/s72-c/DSC03556.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-8986141103491139580</id><published>2011-04-16T09:03:00.000-07:00</published><updated>2011-04-19T18:23:07.696-07:00</updated><title type='text'>La mesa más poblada y que nos recordó que el gótico se encuentra más allá de sólo en la literatura.</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-K8ZltiPkvx0/Tam-qfltKsI/AAAAAAAAAMU/SdygaIkIwS8/s1600/DSC03567.JPG"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 320px; height: 240px;" src="http://2.bp.blogspot.com/-K8ZltiPkvx0/Tam-qfltKsI/AAAAAAAAAMU/SdygaIkIwS8/s320/DSC03567.JPG" alt="" id="BLOGGER_PHOTO_ID_5596213649227983554" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-Qhb8oxlv8Cw/Tam-lwcMpXI/AAAAAAAAAMM/DXxVcJ0khcY/s1600/DSC03650.JPG"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px; height: 240px;" src="http://3.bp.blogspot.com/-Qhb8oxlv8Cw/Tam-lwcMpXI/AAAAAAAAAMM/DXxVcJ0khcY/s320/DSC03650.JPG" alt="" id="BLOGGER_PHOTO_ID_5596213567852160370" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-8986141103491139580?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/8986141103491139580/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=8986141103491139580' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/8986141103491139580'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/8986141103491139580'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2011/04/la-mesa-mas-poblada-y-que-nos-recordo.html' title='La mesa más poblada y que nos recordó que el gótico se encuentra más allá de sólo en la literatura.'/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-K8ZltiPkvx0/Tam-qfltKsI/AAAAAAAAAMU/SdygaIkIwS8/s72-c/DSC03567.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-7225105832072389721</id><published>2011-04-16T08:53:00.000-07:00</published><updated>2011-04-19T18:23:01.282-07:00</updated><title type='text'>Carlos Villegas (Michigan State University) y el gótico como portavoz de los riesgos de la curiosidad científica.</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-miACD67T56M/Tam9Bv4bI2I/AAAAAAAAAME/QfcmUgsDUGw/s1600/DSC03707.JPG"&gt;&lt;img style="cursor: pointer; width: 320px; height: 240px;" src="http://1.bp.blogspot.com/-miACD67T56M/Tam9Bv4bI2I/AAAAAAAAAME/QfcmUgsDUGw/s320/DSC03707.JPG" alt="" id="BLOGGER_PHOTO_ID_5596211849715196770" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-7225105832072389721?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/7225105832072389721/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=7225105832072389721' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/7225105832072389721'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/7225105832072389721'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2011/04/carlos-villegas-michigan-state.html' title='Carlos Villegas (Michigan State University) y el gótico como portavoz de los riesgos de la curiosidad científica.'/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-miACD67T56M/Tam9Bv4bI2I/AAAAAAAAAME/QfcmUgsDUGw/s72-c/DSC03707.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-1895683499878223130</id><published>2011-04-16T08:48:00.000-07:00</published><updated>2011-04-19T18:22:54.553-07:00</updated><title type='text'>Maria Beville (Aarhaus University) y Clark Murray (ITESM) analizando la interacción de lo gótico con la postmodernidad.</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/--rpw-FoRxNw/Tam7O-zMMCI/AAAAAAAAAL8/s31xiLj888s/s1600/DSC03782.JPG"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px; height: 240px;" src="http://3.bp.blogspot.com/--rpw-FoRxNw/Tam7O-zMMCI/AAAAAAAAAL8/s31xiLj888s/s320/DSC03782.JPG" alt="" id="BLOGGER_PHOTO_ID_5596209878034821154" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-YBCwS4jdh3M/Tam7KtCCT4I/AAAAAAAAAL0/u2s7u7X910E/s1600/DSC03788.JPG"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 320px; height: 240px;" src="http://4.bp.blogspot.com/-YBCwS4jdh3M/Tam7KtCCT4I/AAAAAAAAAL0/u2s7u7X910E/s320/DSC03788.JPG" alt="" id="BLOGGER_PHOTO_ID_5596209804545773442" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-1895683499878223130?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/1895683499878223130/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=1895683499878223130' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/1895683499878223130'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/1895683499878223130'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2011/04/maria-beville-aarhaus-university-y.html' title='Maria Beville (Aarhaus University) y Clark Murray (ITESM) analizando la interacción de lo gótico con la postmodernidad.'/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/--rpw-FoRxNw/Tam7O-zMMCI/AAAAAAAAAL8/s31xiLj888s/s72-c/DSC03782.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-5667611759495236284</id><published>2011-04-16T08:46:00.000-07:00</published><updated>2011-04-19T18:22:28.058-07:00</updated><title type='text'>Clark Zoila (Florida Memorial University) con una reflexión en torno a triángulos y fantasmas amorosos en el cine.</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-WycarMhepS4/Tam6RTquRtI/AAAAAAAAALs/SEypROT47rI/s1600/DSC03817.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 240px;" src="http://3.bp.blogspot.com/-WycarMhepS4/Tam6RTquRtI/AAAAAAAAALs/SEypROT47rI/s320/DSC03817.JPG" alt="" id="BLOGGER_PHOTO_ID_5596208818484561618" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-5667611759495236284?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/5667611759495236284/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=5667611759495236284' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/5667611759495236284'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/5667611759495236284'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2011/04/clark-zoila-florida-memorial-university.html' title='Clark Zoila (Florida Memorial University) con una reflexión en torno a triángulos y fantasmas amorosos en el cine.'/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-WycarMhepS4/Tam6RTquRtI/AAAAAAAAALs/SEypROT47rI/s72-c/DSC03817.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-3622402558288514612</id><published>2011-04-16T08:43:00.000-07:00</published><updated>2011-04-19T18:22:17.280-07:00</updated><title type='text'>Por fin llegó la esperada presentación del primer volumen de Memorias Góticas.</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-TZuXhBb-8bo/Tam5xhfQ5TI/AAAAAAAAALk/maGonYrIlaA/s1600/DSC03916.JPG"&gt;&lt;img style="margin: 0px auto 10px; 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victoriano.'/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-TVJGwaLZ-Cs/Tam3d7unszI/AAAAAAAAAK8/LLuFb_PKUvQ/s72-c/DSC04134.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-4318290755821272071</id><published>2011-04-16T08:28:00.000-07:00</published><updated>2011-04-19T18:21:59.533-07:00</updated><title type='text'>Un cierre memorable con una mesa que recogió en esencia la propuesta del coloquio: El encuentro del gótico con la tecnología.</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-431JnXxrHCY/Tam2iHz8rBI/AAAAAAAAAK0/Uj5yvsA9qXc/s1600/DSC04252.JPG"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 320px; height: 240px;" src="http://4.bp.blogspot.com/-431JnXxrHCY/Tam2iHz8rBI/AAAAAAAAAK0/Uj5yvsA9qXc/s320/DSC04252.JPG" alt="" id="BLOGGER_PHOTO_ID_5596204709313293330" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-8SfEu0tZjTE/Tam2be-Q0aI/AAAAAAAAAKs/oubnnqmDqso/s1600/DSC04209.JPG"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px; height: 240px;" src="http://1.bp.blogspot.com/-8SfEu0tZjTE/Tam2be-Q0aI/AAAAAAAAAKs/oubnnqmDqso/s320/DSC04209.JPG" alt="" id="BLOGGER_PHOTO_ID_5596204595271487906" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-4318290755821272071?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/4318290755821272071/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=4318290755821272071' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/4318290755821272071'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/4318290755821272071'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2011/04/la-mesa-que-recogio-en-esencia-la.html' title='Un cierre memorable con una mesa que recogió en esencia la propuesta del coloquio: El encuentro del gótico con la tecnología.'/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-431JnXxrHCY/Tam2iHz8rBI/AAAAAAAAAK0/Uj5yvsA9qXc/s72-c/DSC04252.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-2680655231397860149</id><published>2011-02-23T20:51:00.000-08:00</published><updated>2011-03-16T21:27:11.057-07:00</updated><title type='text'>Programa 2011</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:hyphenationzone&gt;21&lt;/w:HyphenationZone&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:validateagainstschemas/&gt;   &lt;w:saveifxmlinvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:ignoremixedcontent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:alwaysshowplaceholdertext&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:compatibility&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:dontgrowautofit/&gt;   &lt;/w:Compatibility&gt;   &lt;w:browserlevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;  &lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:latentstyles deflockedstate="false" latentstylecount="156"&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable  {mso-style-name:"Tabla normal";  mso-tstyle-rowband-size:0;  mso-tstyle-colband-size:0;  mso-style-noshow:yes;  mso-style-parent:"";  mso-padding-alt:0cm 5.4pt 0cm 5.4pt;  mso-para-margin:0cm;  mso-para-margin-bottom:.0001pt;  mso-pagination:widow-orphan;  font-size:10.0pt;  font-family:"Times New Roman";  mso-ansi-language:#0400;  mso-fareast-language:#0400;  mso-bidi-language:#0400;} &lt;/style&gt; &lt;![endif]--&gt;  &lt;p class="MsoNormal" style="color: rgb(153, 51, 153);"&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;&lt;span style="font-style: italic;"&gt;Lugar&lt;/span&gt;:&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="color: rgb(153, 51, 153);"&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Facultad de Filosofía y Letras, UNAM&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="color: rgb(153, 51, 153);"&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Salón de Actos: 'Adolfo Sánchez Vázquez'&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;4, 5 y 6 de abril, 2011&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="color: rgb(204, 204, 204);"&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Lunes &lt;/span&gt;&lt;u&gt;&lt;span style=""&gt;4 de abril &lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b style="color: rgb(204, 204, 204);"&gt;&lt;i&gt;&lt;span style="font-family:Arial;"&gt;11:00&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="color: rgb(204, 204, 204);"&gt; &lt;/span&gt;Inauguración &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;(español):&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span style="font-family:Arial;"&gt; Desde la perspectiva del psicoanálisis. &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Presenta: Gerardo Ortiz Moncada (Facultad de Psicología, UNAM)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;      &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Carlos Alberto Vargas Prado&lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt; (Facultad de Psicología, UNAM): &lt;/span&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span style="font-family:Arial;"&gt;‘Un semblante 'vampirizado' del duelo y la pérdida en el Psicoanálisis Lacaniano. El agujero en lo Real y su relación con el deseo y el fantasma.’&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span style="font-family:Arial;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style="font-family:Arial;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;b style="color: rgb(255, 0, 0);"&gt;&lt;i&gt;&lt;span style="font-family:Arial;"&gt;&lt;br /&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;12:00&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(204, 204, 204);"&gt; &lt;/span&gt;   &lt;b&gt;&lt;span style="font-family:Arial;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=""&gt;Mesa redonda (español): Pluralidad de manifestaciones góticas.&lt;/span&gt;&lt;/b&gt;  &lt;/span&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Modera: &lt;/span&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Antonio Alcalá (ITESM, ccm / FFyL, UNAM)&lt;/span&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Ana Consuelo Mitlich Osuna&lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt; (Universidad de Sonora): &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;‘El gótico en la novela histórica mexicana del siglo XIX.’&lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Andrea Olson &lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;(Universidad de Guadalajara): &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;‘Hay un fantasma en mi cuento: 20 seres de ultratumba del cuento mexicano decimonónico.’&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Isabel de Brand&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt; (Universidad de Los Andes, Venezuela): &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;‘Los hijos trastornados de fin de siglo: rebeldía prometeica en&lt;/span&gt;&lt;i&gt;&lt;span style=""&gt; &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;“El hijo pródigo” de Clemente Palma.’&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span style="font-family:Arial;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Alma Delia Zamorano Rojas &lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;y&lt;/span&gt;&lt;b&gt;&lt;span style=""&gt; &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family:Arial;"&gt;&lt;/span&gt;&lt;span style=""&gt;Oscar Colorado Nates&lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt; (Universidad Panamericana): &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;‘&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span style="font-family:Arial;"&gt;Drácula: Arquetipo itinerante de la literatura gótica al cine.’&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span style="font-family:Arial;"&gt; &lt;span lang="ES-MX"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="text-align: justify; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Eduardo Vallejo Pacheco &lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;(UDLAP): &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;‘&lt;/span&gt;&lt;i&gt;&lt;span style=""&gt;El Necronomicón&lt;/span&gt;&lt;/i&gt;&lt;span style=""&gt;: simulacro y herramienta de conquista global.’&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;span  lang="ES-MX" style="font-family:Verdana;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family:Arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b style="color: rgb(204, 204, 204);"&gt;&lt;i&gt;&lt;span style="font-family:Arial;"&gt;16:00&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="color: rgb(204, 204, 204);"&gt; &lt;/span&gt;Conferencia (español):&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span style="font-family:Arial;"&gt; &lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;Una visión gótica de Buñuel&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Presenta: &lt;/span&gt;&lt;span style=""&gt;&lt;span style=""&gt;Miriam Guzmán&lt;/span&gt;&lt;b&gt;&lt;span style=""&gt; &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;(Centro Universitario Cultural)&lt;/span&gt;&lt;span style=""&gt;&lt;i&gt;&lt;span style="font-family:Arial;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span style="font-family:Arial;"&gt;Jessica Courtney Locke &lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;span style="font-family:Arial;"&gt;(University of Mary Washington, Virginia EE.UU.)&lt;/span&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;:&lt;/span&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt; &lt;/span&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;&lt;/span&gt;&lt;span style=""&gt;‘Lo gótico, lo surrealista y lo absurdo en &lt;/span&gt;&lt;i&gt;&lt;span style=""&gt;El ángel exterminador&lt;/span&gt;&lt;/i&gt;&lt;span style=""&gt; de Luis Buñuel.’ &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;      &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family:Arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b style="color: rgb(192, 192, 192);"&gt;&lt;i&gt;&lt;span style="font-family:Arial;"&gt;17:00&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;b style="color: rgb(192, 192, 192);"&gt;&lt;span style="font-family:Arial;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style=""&gt;Mesa redonda (español): Irrupción en distintas formas de expresión.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Modera: Carlos Melo (FFyL, UNAM)&lt;/span&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify; line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span style="font-family:Arial;"&gt;Antonio Sustaita &lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;span style="font-family:Arial;"&gt;(ITESM, ccm) y &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;Liuva Sustaita &lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt;(UNAM): &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;‘&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Cuerpo inmundo, cuerpo por normalizar: la representación del cuerpo femenino en &lt;/span&gt;&lt;i&gt;&lt;span style=""&gt;El Exorcista2&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span style="font-family:Arial;"&gt;.’&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span style="font-family:Arial;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Emiliano Gutiérrez Popoca&lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt; (FFyL, UNAM): &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;‘El gótico norteamericano femenino desde la perspectiva masculina en &lt;/span&gt;&lt;i&gt;&lt;span style=""&gt;The Virgin Suicides&lt;/span&gt;&lt;/i&gt;&lt;span style=""&gt; de Jeffrey Eugenides.’&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Romeo Juárez Carreón &lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;(F&lt;/span&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span style="font-family:Arial;"&gt;ES Cuautitlán (Ingeniería Química&lt;/span&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;): &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;‘La oscuridad en &lt;/span&gt;&lt;i&gt;&lt;span style=""&gt;El Hombre Invisible &lt;/span&gt;&lt;/i&gt;&lt;span style=""&gt;creado por Wells.’ &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span style="font-family:Arial;"&gt;Aurora Piñeiro Carballeda &lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;span style="font-family:Arial;"&gt;(FFyL, UNAM): &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;‘Mirar o morir: la importancia de la mirada en &lt;/span&gt;&lt;i&gt;&lt;span style=""&gt;Pedro y el lobo&lt;/span&gt;&lt;/i&gt;&lt;span style=""&gt; de Sergei Prokofiev, y en el cortometraje de Suzie Templeton.’&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;        &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span style="font-family:Arial;"&gt;Itzel Salgado Castro&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span style="font-family:Arial;"&gt; (FFyL UNAM) y &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;Carlos Manuel Cruz&lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt; &lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;Meza&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt; (Proyecto &lt;/span&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;i&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Escrito con Sangre&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;):&lt;/span&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt; &lt;/span&gt;&lt;b&gt;&lt;span style="font-family:Arial;"&gt;&lt;/span&gt;&lt;span style=""&gt;‘&lt;/span&gt;&lt;span style=""&gt;La Muerte Retratada: violencia, pornografía y criminalidad&lt;/span&gt;&lt;span style="font-family:Arial;"&gt; a través de la fotografía y el cine.’&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span style="font-family:Arial;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span style="color: rgb(204, 204, 204);font-family:Arial;"  lang="ES-MX"&gt;Martes &lt;/span&gt;&lt;u&gt;&lt;span style=""&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;5 de abril&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b style="color: rgb(204, 204, 204);"&gt;&lt;i&gt;&lt;span style="font-family:Arial;"&gt;10:00&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="color: rgb(204, 204, 204);"&gt; &lt;/span&gt;Conferencia (español):&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span style="font-family:Arial;"&gt; &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;El encuentro con la tecnología.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Presenta: &lt;/span&gt;&lt;span style=""&gt;&lt;span style=""&gt;Eileen Soria &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;&lt;span style=""&gt; &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;(FFyL, UNAM)&lt;/span&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;/p&gt;      &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span style="font-family:Arial;"&gt;Carlos Villegas-Castaneda&lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;span style="font-family:Arial;"&gt; (&lt;/span&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Michigan State University): &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;‘&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span style="font-family:Arial;"&gt;La biotecnología y el vampiro en la obra &lt;/span&gt;&lt;i&gt;&lt;span style=""&gt;Espantapájaros &lt;/span&gt;&lt;/i&gt;&lt;span style=""&gt;de Gabriel Trujillo Muñoz.’&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span style="font-family:Arial;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family:Arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family:Arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b style="color: rgb(204, 204, 204);"&gt;&lt;i&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="color: rgb(192, 192, 192);"&gt;11:00&lt;/span&gt; &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Conferencias (inglés): Imágenes góticas en la postmodernidad.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Modera: &lt;/span&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Antonio Alcalá (ITESM, ccm / FFyL, UNAM)&lt;/span&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;i&gt;&lt;span style="font-family:Arial;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span  lang="EN" style="font-family:Arial;"&gt;Christine Beagle&lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;span  lang="EN" style="font-family:Arial;"&gt; (University of New Mexico)&lt;/span&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span  lang="EN-US" style="font-family:Arial;"&gt;:&lt;/span&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span  lang="EN-US" style="font-family:Arial;"&gt; &lt;/span&gt;&lt;b&gt;&lt;span  lang="EN" style="font-family:Arial;"&gt;&lt;/span&gt;&lt;span style=""&gt;‘From the Novel to the Wall: The Evolution of Medium in Chicano Gothic.’ &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span  lang="EN" style="font-family:Arial;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span  lang="EN" style="font-family:Arial;"&gt;Maria Beville&lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;span  lang="EN" style="font-family:Arial;"&gt; (Aarhus University, Denmark)&lt;/span&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span  lang="EN-US" style="font-family:Arial;"&gt;:&lt;/span&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span  lang="EN-US" style="font-family:Arial;"&gt; &lt;/span&gt;&lt;b&gt;&lt;span  lang="EN" style="font-family:Arial;"&gt;&lt;/span&gt;&lt;span style=""&gt;‘Gothic-postmodernism: A Literary Discourse on Terror and Technology.’ &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span  lang="EN" style="font-family:Arial;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span  lang="EN-US" style="font-family:Arial;"&gt;Dr. Clark Murray&lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;span  lang="EN-US" style="font-family:Arial;"&gt; (ITESM, ccm): &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;‘&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span  lang="EN" style="font-family:Arial;"&gt;Inadvertent Gothic influences in &lt;/span&gt;&lt;i&gt;&lt;span style=""&gt;The Gulf, my &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;&lt;i&gt;&lt;span  lang="EN-US" style="font-family:Arial;"&gt;S&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;&lt;i&gt;&lt;span  lang="EN" style="font-family:Arial;"&gt;houlder…North was the &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;&lt;i&gt;&lt;span  lang="EN-US" style="font-family:Arial;"&gt;H&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;&lt;i&gt;&lt;span  lang="EN" style="font-family:Arial;"&gt;orizon&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span  lang="EN-US" style="font-family:Arial;"&gt;.’&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span  lang="EN-US" style="font-family:Arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family:Arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b style="color: rgb(204, 204, 204);"&gt;&lt;i&gt;&lt;span style="font-family:Arial;"&gt;14:00&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="color: rgb(204, 204, 204);"&gt; &lt;/span&gt;Conferencia (español):&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span style="font-family:Arial;"&gt; &lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;Fantasmas en cine y literatura latinoamericanos.&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Presenta: &lt;/span&gt;&lt;span style=""&gt;&lt;span style=""&gt;Eileen Soria &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;&lt;span style=""&gt; &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;(FFyL, UNAM)&lt;/span&gt;&lt;span style=""&gt;&lt;i&gt;&lt;span style="font-family:Arial;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;      &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span style="font-family:Arial;"&gt;Zoila Y.&lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;span style="font-family:Arial;"&gt; &lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;Clark &lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;(Florida Memorial University): &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;‘Fantasmas homoeróticos en “Doña Flor y sus dos maridos”, &lt;/span&gt;&lt;i&gt;&lt;span style=""&gt;Contracorriente,&lt;/span&gt;&lt;/i&gt;&lt;span style="font-family:Arial;"&gt; y &lt;/span&gt;&lt;i&gt;&lt;span style=""&gt;Hasta el viento tiene miedo.&lt;/span&gt;&lt;/i&gt;&lt;span style=""&gt;’&lt;/span&gt;&lt;i&gt;&lt;span style=""&gt; &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;i&gt;&lt;span style="font-family:Arial;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;b style="color: rgb(255, 0, 0);"&gt;&lt;i&gt;&lt;span style="font-family:Arial;"&gt;&lt;br /&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;17:00&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;    &lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span style="font-family:Arial;"&gt; Presentación: Edición digital de las &lt;/span&gt;&lt;i&gt;&lt;span style=""&gt;Memorias del 1er y 2o Coloquios Góticos (2008 / 2009)&lt;/span&gt;&lt;/i&gt;&lt;span style=""&gt;.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;  &lt;p class="MsoNormal" style="line-height: 150%;"&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Presenta: &lt;/span&gt;&lt;span style=""&gt;&lt;span style=""&gt;Miriam Guzmán&lt;/span&gt;&lt;b&gt;&lt;span style=""&gt; &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;(Centro Universitario Cultural)&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;i&gt;&lt;span style="font-family:Arial;"&gt;&lt;/span&gt;&lt;/i&gt;  &lt;p class="MsoNormal" style="line-height: 150%;"&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Participan: &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;Sergio Santiago Madariaga &lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt;(Editorial Samsara), &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;Aurora Piñeiro &lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt;(FFyL, UNAM), &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;Antonio Alcalá &lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt;(ITESM, ccm / FFyL, UNAM)&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="line-height: 150%;"&gt;&lt;br /&gt;&lt;span style=""&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family:Arial;"&gt; &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;      &lt;p class="MsoNormal" style="line-height: 150%;"&gt;&lt;b&gt;&lt;span style="color: rgb(204, 204, 204);font-family:Arial;" &gt;Miércoles &lt;/span&gt;&lt;u&gt;&lt;span style=""&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;6 de abril&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/p&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;    &lt;/span&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;&lt;b&gt;&lt;i&gt;&lt;span&gt;10:00 &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Mesa redonda (español):&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt; &lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;Siempre presente, la figura del vampiro.&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;  &lt;p class="MsoNormal" style="line-height: 150%;"&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Modera: Irene Artigas (FFyL, UNAM)&lt;/span&gt;&lt;/p&gt;  &lt;/span&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Anna Reid&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt; (Universidad Autónoma del Estado de Morelos): &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;‘¿Sangre humana o sintética?: Un análisis de la &lt;/span&gt;&lt;i&gt;&lt;span style=""&gt;Southern Vampire Series.&lt;/span&gt;&lt;/i&gt;&lt;span style=""&gt;’&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Orfa Kelita Vanegas Vásquez&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt; (Universidad de Tolima, Colombia): &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;‘El concepto del mal y su simbolismo en &lt;/span&gt;&lt;i&gt;&lt;span style=""&gt;Drácula&lt;/span&gt;&lt;/i&gt;&lt;span style=""&gt; de Bram Stoker.’&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;/p&gt;      &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Sergio Antonio Martínez García &lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;(Universidad de Guanajuato, Campus León): &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;‘Dime como ves al vampiro y te diré quién eres (recorrido de la sangre victoriana a la sangre&lt;/span&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt; posmoderna a través del cine).’&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Alberto Ortíz Moncada &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;(FCPyS, UNAM): &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;‘&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span style="font-family:Arial;"&gt;La Imprenta hacia el final del Gótico: El nacimiento de una nueva era.’&lt;/span&gt;&lt;span style=""&gt; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;p class="MsoNormal" style="line-height: 150%;"&gt;&lt;b&gt;&lt;i&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;i&gt;&lt;span lang="ES-MX"&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;13:00&lt;/span&gt; &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Conferencia (inglés):&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt; &lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;El gótico hace más de un siglo: La Época victoriana&lt;/b&gt;&lt;/span&gt;  &lt;/span&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Presenta: Antonio Alcalá (ITESM, ccm / FFyL, UNAM)&lt;/span&gt;&lt;b&gt;&lt;span style=""&gt; &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span  lang="EN" style="font-family:Arial;"&gt;Jarlath Killeen&lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;span  lang="EN" style="font-family:Arial;"&gt;(Trinity College, Dublín, Irlanda)&lt;/span&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span  lang="EN-US" style="font-family:Arial;"&gt;:&lt;/span&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span  lang="EN-US" style="font-family:Arial;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span  lang="EN-US" style="font-family:Arial;"&gt;&lt;/span&gt;&lt;span style=""&gt;‘&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span  lang="EN" style="font-family:Arial;"&gt;Victorian Pulp Gothic’ &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span  lang="EN" style="font-family:Arial;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span  lang="EN" style="font-family:Arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family:Arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family:Arial;"&gt;&lt;span style="color: rgb(204, 204, 204);"&gt;16:00&lt;/span&gt; &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Mesa redonda (español): Lo gótico desde el pasado y hasta el futuro.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Modera: José Luis García Chiapas (Centro Universitario Cultural)&lt;/span&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;i&gt;&lt;span style="font-family:Arial;"&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Gerardo Altamirano&lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt; (FFyL, UNAM): &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;‘Descripciones de sepulcros y algunos mecanismos guardianes de tumbas&lt;span style=""&gt;  &lt;/span&gt;en las literaturas medievales&lt;span style=""&gt;  &lt;/span&gt;francesa e hispánica.’&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Julio García Murillo&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt; (FFyL, UNAM): &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;‘&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family:Arial;"&gt;Taxinomia ex Machina&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span style="font-family:Arial;"&gt;: zoo(bio)política y tecnología de la masacre&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;.’&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;      &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Francisco Lima Baca &lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;(El Colegio de México): &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;‘&lt;/span&gt;&lt;i&gt;&lt;span style=""&gt;Frankenstein&lt;/span&gt;&lt;/i&gt;&lt;span style=""&gt; &lt;/span&gt;&lt;span style=""&gt;&lt;i&gt;o el moderno Prometeo&lt;/i&gt;&lt;/span&gt;&lt;span style=""&gt; de Mary Shelley y “El renacimiento” de &lt;/span&gt;&lt;i&gt;&lt;span style=""&gt;Animatrix&lt;/span&gt;&lt;/i&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;: la relación entre el mito del “Moderno Prometeo” decimonónico y la rebelión virtual de las máquinas en el siglo XX.’&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="line-height: 150%; color: rgb(255, 0, 0);"&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Eduardo Juscelino Díaz Martínez &lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;(FFyL, UNAM): &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;‘&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span style="font-family:Arial;"&gt;Fantasmas en las máquinas: una introducción al Cyberpunk y sus prometeos posmodernos&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;.’&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;      &lt;p class="MsoNormal" style="line-height: 150%;"&gt;&lt;b style="color: rgb(255, 0, 0);"&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt;Luis Alberto López Matus Villegas. “Matus”&lt;/span&gt;&lt;/b&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt; (Universidad La Salle / Centro de Estudios Cinematográficos INDIE): &lt;/span&gt;&lt;b&gt;&lt;span style=""&gt;‘&lt;/span&gt;&lt;i&gt;&lt;span style=""&gt;Idoru&lt;/span&gt;&lt;/i&gt;&lt;span style=""&gt;; la fantasmagoria y los horrores de lo gótico&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span  lang="ES-MX" style="font-family:Arial;"&gt; de un mundo protofuturista&lt;/span&gt;&lt;span style=""&gt;.’&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;span style="color: rgb(102, 0, 102);font-family:Arial;"  lang="ES-MX"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-2680655231397860149?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/2680655231397860149/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=2680655231397860149' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/2680655231397860149'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/2680655231397860149'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2011/02/normal-0-21-false-false-false.html' title='Programa 2011'/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-2283845254771608920</id><published>2010-04-06T06:15:00.000-07:00</published><updated>2011-04-16T08:16:02.977-07:00</updated><title type='text'>Reseña: III Coloquio Internacional Gótico: 'El Monstruo en el Arte y sus Diversas Manifestaciones'</title><content type='html'>&lt;span style="color: rgb(255, 255, 255); font-family: verdana;"&gt;El III Coloquio Internacional Gótico: ‘El Monstruo en el arte y sus Diversas Manifestaciones’ resultó ser aún más plural y enriquecedor de lo que ya habían sido sus dos predecesores. Además de la indispensable colaboración de miembros de nuestra Facultad de Filosofía y Letras, contamos en esta edición con participantes de las facultades de Psicología, Ingeniería y Ciencias Políticas, así como de los campus Acatlán e Iztacala de la UNAM. También tuvimos la presencia de miembros de otras instituciones: UAM, UCSJ, UDLA, ITESM, Univ. La Salle, El Colegio de México, las Universidades Vercruzana y  de Guanajuato, además de las Universidades Autónomas de Morelos y Querétaro. Por otro lado, tuvimos la visita de académicos del Reino Unido, Canadá, Colombia, Costa Rica y Estados Unidos.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255); font-family: verdana;"&gt;Esta afluencia tan plural se combinó con una amplia variedad de temas que permitió un intercambio altamente enriquecedor respecto a las diferentes perspectivas de estudio del monstruo en diversos campos que van desde la literatura y cine, hasta los cómics, la arquitectura y el diseño industrial. Si bien El Monstruo de Frankenstein, Drácula, Mr. Hyde y Cthulhu fueron nombrados en más de una ocasión, también aparecieron en las mesas nombres e imágenes de las creaciones de autores tan diversos como George Bataille, Louise Bourgois, Raymond Briggs, Dino Buzzati, China Miéville, Ignacio Padilla, José Rodríguez, y Rafael Sica, por citar sólo a lagunos de entre la gran variedad de creadores cuya obra fue analizada desde una perspectiva gótica que permitió apreciar la forma en que todos ellos comparten la figura del monstruo, y su función como ser limítrofe entre lo aceptable y lo inadmisible, como eje para el desarrollo de sus obras.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255); font-family: verdana;"&gt;Para describir dicha experiencia, permítanme dejarlos con las fotografías de las distintas mesas y  recordarles que esperamos presentar las memorias de este III Coloquio dentro del marco del IV Coloquio Internacional Gótico: ‘Lo Gótico y su encuentro con la tecnología’ (Abril 4, 5 y 6, 2011), no sin antes tener listas las memorias de los coloquios I y II durante el segundo semestre académico del presente año.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-2283845254771608920?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/2283845254771608920/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=2283845254771608920' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/2283845254771608920'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/2283845254771608920'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2010/04/iii-coloquio-internacional-gotico_06.html' title='Reseña: III Coloquio Internacional Gótico: &apos;El Monstruo en el Arte y sus Diversas Manifestaciones&apos;'/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-7777817709989039228</id><published>2010-04-05T16:03:00.001-07:00</published><updated>2010-04-06T06:19:58.254-07:00</updated><title type='text'></title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_UQc4VhtWzSs/S7ptO7WhfJI/AAAAAAAAAKA/GWvYdQXFG-I/s1600/Mar+22+%2811%29.JPG"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 240px;" src="http://1.bp.blogspot.com/_UQc4VhtWzSs/S7ptO7WhfJI/AAAAAAAAAKA/GWvYdQXFG-I/s320/Mar+22+%2811%29.JPG" alt="" id="BLOGGER_PHOTO_ID_5456794001730534546" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Nuestros ponentes plenarios:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Abigail Lee Six&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Carlos Alberto Vargas&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Jessica Locke&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Karen MacFarlane&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Marie Mulvey-Roberts&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_UQc4VhtWzSs/S7psjGiiaTI/AAAAAAAAAJo/y0KoBl-MVKE/s1600/Mar+22+%2843%29.JPG"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 240px;" src="http://3.bp.blogspot.com/_UQc4VhtWzSs/S7psjGiiaTI/AAAAAAAAAJo/y0KoBl-MVKE/s320/Mar+22+%2843%29.JPG" alt="" id="BLOGGER_PHOTO_ID_5456793248819472690" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_UQc4VhtWzSs/S7psekgTBwI/AAAAAAAAAJg/p97WlA-HXOU/s1600/Mar+23+%2868%29.JPG"&gt;&lt;img style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 320px; height: 240px;" src="http://2.bp.blogspot.com/_UQc4VhtWzSs/S7psekgTBwI/AAAAAAAAAJg/p97WlA-HXOU/s320/Mar+23+%2868%29.JPG" alt="" id="BLOGGER_PHOTO_ID_5456793170963793666" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_UQc4VhtWzSs/S7psZnJnmdI/AAAAAAAAAJY/xl4XL50TTz0/s1600/Mar+24+%2865%29.JPG"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 240px;" src="http://2.bp.blogspot.com/_UQc4VhtWzSs/S7psZnJnmdI/AAAAAAAAAJY/xl4XL50TTz0/s320/Mar+24+%2865%29.JPG" alt="" id="BLOGGER_PHOTO_ID_5456793085774633426" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_UQc4VhtWzSs/S7psU_-5PKI/AAAAAAAAAJQ/KEXdlSLuikw/s1600/Mar+24+%28119%29.JPG"&gt;&lt;img style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 320px; height: 240px;" src="http://1.bp.blogspot.com/_UQc4VhtWzSs/S7psU_-5PKI/AAAAAAAAAJQ/KEXdlSLuikw/s320/Mar+24+%28119%29.JPG" alt="" id="BLOGGER_PHOTO_ID_5456793006541192354" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-7777817709989039228?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/7777817709989039228/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=7777817709989039228' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/7777817709989039228'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/7777817709989039228'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2010/04/nuestros-ponentes-plenarios-abigail-lee.html' title=''/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_UQc4VhtWzSs/S7ptO7WhfJI/AAAAAAAAAKA/GWvYdQXFG-I/s72-c/Mar+22+%2811%29.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-3829628999943315693</id><published>2010-04-05T16:01:00.000-07:00</published><updated>2010-04-06T06:20:16.235-07:00</updated><title type='text'></title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_UQc4VhtWzSs/S7pr59nbUTI/AAAAAAAAAJI/CM7nkJ4LdnI/s1600/Mar+22+%2818%29.JPG"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 240px;" src="http://3.bp.blogspot.com/_UQc4VhtWzSs/S7pr59nbUTI/AAAAAAAAAJI/CM7nkJ4LdnI/s320/Mar+22+%2818%29.JPG" alt="" id="BLOGGER_PHOTO_ID_5456792542049423666" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Primer mesa redonda: Hombres lobo, vampiros  y algo más.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-3829628999943315693?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/3829628999943315693/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=3829628999943315693' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/3829628999943315693'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/3829628999943315693'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2010/04/primer-mesa-redonda-hombres-lobo.html' title=''/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_UQc4VhtWzSs/S7pr59nbUTI/AAAAAAAAAJI/CM7nkJ4LdnI/s72-c/Mar+22+%2818%29.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-7549968536856214016</id><published>2010-04-05T15:59:00.001-07:00</published><updated>2010-04-06T06:20:46.004-07:00</updated><title type='text'></title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_UQc4VhtWzSs/S7prmL62w7I/AAAAAAAAAJA/dsrYxMltMA0/s1600/Mar+22+%2848%29.JPG"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 240px;" src="http://3.bp.blogspot.com/_UQc4VhtWzSs/S7prmL62w7I/AAAAAAAAAJA/dsrYxMltMA0/s320/Mar+22+%2848%29.JPG" alt="" id="BLOGGER_PHOTO_ID_5456792202291626930" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_UQc4VhtWzSs/S7prW05knBI/AAAAAAAAAI4/fvd_aSKLvI4/s1600/Mar+22+%2868%29.JPG"&gt;&lt;img style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 320px; height: 240px;" src="http://4.bp.blogspot.com/_UQc4VhtWzSs/S7prW05knBI/AAAAAAAAAI4/fvd_aSKLvI4/s320/Mar+22+%2868%29.JPG" alt="" id="BLOGGER_PHOTO_ID_5456791938414189586" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;El monstruo desde la pintura, hasta los cómics y más allá.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-7549968536856214016?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/7549968536856214016/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=7549968536856214016' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/7549968536856214016'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/7549968536856214016'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2010/04/el-monstruo-desde-la-pintura-hasta-los.html' title=''/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_UQc4VhtWzSs/S7prmL62w7I/AAAAAAAAAJA/dsrYxMltMA0/s72-c/Mar+22+%2848%29.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-6202282005123244839</id><published>2010-04-05T15:57:00.001-07:00</published><updated>2010-04-06T06:21:00.812-07:00</updated><title type='text'></title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_UQc4VhtWzSs/S7prA7kCZCI/AAAAAAAAAIw/qFL1z1leQUw/s1600/Mar+22+%2884%29.JPG"&gt;&lt;img style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 320px; height: 214px;" src="http://2.bp.blogspot.com/_UQc4VhtWzSs/S7prA7kCZCI/AAAAAAAAAIw/qFL1z1leQUw/s320/Mar+22+%2884%29.JPG" alt="" id="BLOGGER_PHOTO_ID_5456791562245792802" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_UQc4VhtWzSs/S7pq7vy9BWI/AAAAAAAAAIo/3MMrAyjWU4I/s1600/Mar+22+%2892%29.JPG"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 240px;" src="http://4.bp.blogspot.com/_UQc4VhtWzSs/S7pq7vy9BWI/AAAAAAAAAIo/3MMrAyjWU4I/s320/Mar+22+%2892%29.JPG" alt="" id="BLOGGER_PHOTO_ID_5456791473187784034" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Cierre del primer día:&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Monstruos y muerte.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-6202282005123244839?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/6202282005123244839/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=6202282005123244839' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/6202282005123244839'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/6202282005123244839'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2010/04/cierre-del-primer-dia-monstruos-y.html' title=''/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_UQc4VhtWzSs/S7prA7kCZCI/AAAAAAAAAIw/qFL1z1leQUw/s72-c/Mar+22+%2884%29.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-8829244844473572445</id><published>2010-04-05T15:54:00.000-07:00</published><updated>2010-04-06T12:06:13.822-07:00</updated><title type='text'></title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_UQc4VhtWzSs/S7uGHsYDM4I/AAAAAAAAAKQ/EIbbhU3G6Ts/s1600/Mar+23+%2811%29.JPG"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 240px;" src="http://3.bp.blogspot.com/_UQc4VhtWzSs/S7uGHsYDM4I/AAAAAAAAAKQ/EIbbhU3G6Ts/s320/Mar+23+%2811%29.JPG" alt="" id="BLOGGER_PHOTO_ID_5457102840218727298" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_UQc4VhtWzSs/S7uF6m-kOII/AAAAAAAAAKI/hnfGSt2zYZg/s1600/Mar+23+%2820%29.JPG"&gt;&lt;img style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 320px; height: 240px;" src="http://4.bp.blogspot.com/_UQc4VhtWzSs/S7uF6m-kOII/AAAAAAAAAKI/hnfGSt2zYZg/s320/Mar+23+%2820%29.JPG" alt="" id="BLOGGER_PHOTO_ID_5457102615431362690" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;La mesa más variada y con una pregunta aún por contestar.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-8829244844473572445?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/8829244844473572445/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=8829244844473572445' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/8829244844473572445'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/8829244844473572445'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2010/04/la-mesa-mas-variada-y-con-muchas.html' title=''/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_UQc4VhtWzSs/S7uGHsYDM4I/AAAAAAAAAKQ/EIbbhU3G6Ts/s72-c/Mar+23+%2811%29.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-8544591821448943382</id><published>2010-04-05T15:50:00.000-07:00</published><updated>2010-04-06T06:21:40.655-07:00</updated><title type='text'></title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_UQc4VhtWzSs/S7ppmrh_dqI/AAAAAAAAAIQ/nMsXdWr_ai8/s1600/Mar+23+%2869%29+16.00.JPG"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 240px;" src="http://2.bp.blogspot.com/_UQc4VhtWzSs/S7ppmrh_dqI/AAAAAAAAAIQ/nMsXdWr_ai8/s320/Mar+23+%2869%29+16.00.JPG" alt="" id="BLOGGER_PHOTO_ID_5456790011754018466" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;A la mitad del coloquio: El monstruo en la literatura chicana y en la obra de Guillermo del Toro.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-8544591821448943382?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/8544591821448943382/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=8544591821448943382' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/8544591821448943382'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/8544591821448943382'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2010/04/la-mitad-del-coloquio-el-monstruo-en-la.html' title=''/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_UQc4VhtWzSs/S7ppmrh_dqI/AAAAAAAAAIQ/nMsXdWr_ai8/s72-c/Mar+23+%2869%29+16.00.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-5221750352877026462</id><published>2010-04-05T15:49:00.001-07:00</published><updated>2010-04-06T06:21:53.184-07:00</updated><title type='text'></title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_UQc4VhtWzSs/S7ppG_BwjSI/AAAAAAAAAII/_s_Ib54WQRY/s1600/Mar+23+%28122%29.JPG"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 240px;" src="http://4.bp.blogspot.com/_UQc4VhtWzSs/S7ppG_BwjSI/AAAAAAAAAII/_s_Ib54WQRY/s320/Mar+23+%28122%29.JPG" alt="" id="BLOGGER_PHOTO_ID_5456789467231718690" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Monstruos en literatura, cómics y la plástica.&lt;/span&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_UQc4VhtWzSs/S7ppBGhT6aI/AAAAAAAAAIA/DJhWlIbCUn0/s1600/Mar+23+%28102%29.JPG"&gt;&lt;img style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 320px; height: 240px;" src="http://4.bp.blogspot.com/_UQc4VhtWzSs/S7ppBGhT6aI/AAAAAAAAAIA/DJhWlIbCUn0/s320/Mar+23+%28102%29.JPG" alt="" id="BLOGGER_PHOTO_ID_5456789366163892642" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-5221750352877026462?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/5221750352877026462/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=5221750352877026462' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/5221750352877026462'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/5221750352877026462'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2010/04/monstruos-en-literatura-comics-y-la.html' title=''/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_UQc4VhtWzSs/S7ppG_BwjSI/AAAAAAAAAII/_s_Ib54WQRY/s72-c/Mar+23+%28122%29.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-6792758872834053601</id><published>2010-04-05T15:46:00.001-07:00</published><updated>2010-04-06T06:22:05.133-07:00</updated><title type='text'></title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_UQc4VhtWzSs/S7poigLur3I/AAAAAAAAAH4/zpK1hBv5PLo/s1600/Mar+24+%2815%29.JPG"&gt;&lt;img style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 320px; height: 240px;" src="http://1.bp.blogspot.com/_UQc4VhtWzSs/S7poigLur3I/AAAAAAAAAH4/zpK1hBv5PLo/s320/Mar+24+%2815%29.JPG" alt="" id="BLOGGER_PHOTO_ID_5456788840476749682" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Abriendo el último día del coloquio:&lt;br /&gt;El monstruo desde la edad media hasta el siglo XXI&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_UQc4VhtWzSs/S7poWtOaGkI/AAAAAAAAAHw/qe1LAdq1IsI/s1600/Mar+24+%287%29.JPG"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 240px;" src="http://1.bp.blogspot.com/_UQc4VhtWzSs/S7poWtOaGkI/AAAAAAAAAHw/qe1LAdq1IsI/s320/Mar+24+%287%29.JPG" alt="" id="BLOGGER_PHOTO_ID_5456788637819214402" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-6792758872834053601?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/6792758872834053601/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=6792758872834053601' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/6792758872834053601'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/6792758872834053601'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2010/04/abriendo-el-ultimo-dia-del-coloquio-el.html' title=''/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_UQc4VhtWzSs/S7poigLur3I/AAAAAAAAAH4/zpK1hBv5PLo/s72-c/Mar+24+%2815%29.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-4019828785329862447</id><published>2010-04-05T15:43:00.001-07:00</published><updated>2010-04-06T08:22:05.196-07:00</updated><title type='text'></title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_UQc4VhtWzSs/S7pnr_75pQI/AAAAAAAAAHo/xICXW6qgOuU/s1600/Mar+24+%28140%29.JPG"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 240px;" src="http://1.bp.blogspot.com/_UQc4VhtWzSs/S7pnr_75pQI/AAAAAAAAAHo/xICXW6qgOuU/s320/Mar+24+%28140%29.JPG" alt="" id="BLOGGER_PHOTO_ID_5456787904107488514" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Una mesa Plural:&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Literatura  mexicana, cine norteamericano y la obra de Lovecraft con un común  denominador: la aparición de lo monstruoso.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_UQc4VhtWzSs/S7pnnBFK2tI/AAAAAAAAAHg/s-EI2ClF4n8/s1600/Mar+24+%28142%29+Roque+Alarc%C3%B3n.JPG"&gt;&lt;img style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 320px; height: 240px;" src="http://3.bp.blogspot.com/_UQc4VhtWzSs/S7pnnBFK2tI/AAAAAAAAAHg/s-EI2ClF4n8/s320/Mar+24+%28142%29+Roque+Alarc%C3%B3n.JPG" alt="" id="BLOGGER_PHOTO_ID_5456787818515454674" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-4019828785329862447?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/4019828785329862447/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=4019828785329862447' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/4019828785329862447'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/4019828785329862447'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2010/04/una-mesa-plural-literatura-mexicana.html' title=''/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_UQc4VhtWzSs/S7pnr_75pQI/AAAAAAAAAHo/xICXW6qgOuU/s72-c/Mar+24+%28140%29.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-1015292156964674731</id><published>2010-04-05T15:37:00.000-07:00</published><updated>2010-04-23T13:23:56.974-07:00</updated><title type='text'></title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_UQc4VhtWzSs/S7pm8LkDjGI/AAAAAAAAAHY/8lA0Cpa2d5k/s1600/Mar+24+%28164%29.JPG"&gt;&lt;img style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 320px; height: 240px;" src="http://4.bp.blogspot.com/_UQc4VhtWzSs/S7pm8LkDjGI/AAAAAAAAAHY/8lA0Cpa2d5k/s320/Mar+24+%28164%29.JPG" alt="" id="BLOGGER_PHOTO_ID_5456787082594978914" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_UQc4VhtWzSs/S7pmmvhz_FI/AAAAAAAAAHQ/g-c7kdmrdUY/s1600/Mar+24+%28160%29.JPG"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 240px;" src="http://2.bp.blogspot.com/_UQc4VhtWzSs/S7pmmvhz_FI/AAAAAAAAAHQ/g-c7kdmrdUY/s320/Mar+24+%28160%29.JPG" alt="" id="BLOGGER_PHOTO_ID_5456786714292124754" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(204, 0, 0);"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Nuestra última mesa:&lt;br /&gt;Manifestaciones  góticas en Costa Rica y México (Karen Calvo y Gabriel Hernández).&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-1015292156964674731?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/1015292156964674731/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=1015292156964674731' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/1015292156964674731'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/1015292156964674731'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2010/04/nuestra-ultima-mesa-manifestaciones.html' title=''/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_UQc4VhtWzSs/S7pm8LkDjGI/AAAAAAAAAHY/8lA0Cpa2d5k/s72-c/Mar+24+%28164%29.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-5142556243570554347</id><published>2010-02-23T11:49:00.000-08:00</published><updated>2010-03-01T22:41:14.554-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cartel III Coloquio Internacional Gótico'/><title type='text'>PROGRAMA 2010 (Marzo 22-24)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_UQc4VhtWzSs/S4yyu3jsR7I/AAAAAAAAAGs/FBpFLVYYMjw/s1600-h/Cartel+Gotico+White+2010.bmp"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 206px; height: 320px;" src="http://2.bp.blogspot.com/_UQc4VhtWzSs/S4yyu3jsR7I/AAAAAAAAAGs/FBpFLVYYMjw/s320/Cartel+Gotico+White+2010.bmp" alt="" id="BLOGGER_PHOTO_ID_5443922567841466290" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_UQc4VhtWzSs/S4yusEM1Z3I/AAAAAAAAAGk/Yp2SzDcNQyI/s1600-h/Cartel+Gotico+2010.bmp"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 207px; height: 320px;" src="http://4.bp.blogspot.com/_UQc4VhtWzSs/S4yusEM1Z3I/AAAAAAAAAGk/Yp2SzDcNQyI/s320/Cartel+Gotico+2010.bmp" alt="" id="BLOGGER_PHOTO_ID_5443918121649137522" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_UQc4VhtWzSs/S4QxYMGym3I/AAAAAAAAAGE/3IiD8mr8_BQ/s1600-h/Cartel+G%C3%B3tico+2010.bmp"&gt;&lt;br /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-5142556243570554347?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/5142556243570554347/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=5142556243570554347' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/5142556243570554347'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/5142556243570554347'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2010/02/blog-post.html' title='PROGRAMA 2010 (Marzo 22-24)'/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_UQc4VhtWzSs/S4yyu3jsR7I/AAAAAAAAAGs/FBpFLVYYMjw/s72-c/Cartel+Gotico+White+2010.bmp' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-3940223911869757450</id><published>2010-02-15T11:44:00.000-08:00</published><updated>2010-02-22T13:02:57.469-08:00</updated><title type='text'>PROGRAMA  2010: 'El Monstruo en el Arte y sus Distintas Manifestaciones' 22-24 de Marzo</title><content type='html'>&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 204, 51);"&gt;&lt;strong&gt;&lt;span style="font-size:180%;"&gt;Todas las mesas y conferencias son en:&lt;br /&gt;Salón de Actos 'Adolfo Sánchez Vázquez',&lt;br /&gt;Facultad de Filosofía y Letras, UNAM&lt;br /&gt;&lt;br /&gt;Lunes 22 de marzo&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;10:00 Inauguración y Conferencia magistral (inglés)&lt;/strong&gt; presenta: Antonio Alcalá (ITESM, ccm / FFyL, UNAM)&lt;br /&gt;&lt;strong&gt;Abigail Lee Six&lt;/strong&gt; (Royal Holloway University of London): ‘From Niño-Pulpo to Dama-Loba: Physical and Moral Monstrosity in Spanish Fiction from Galdós’ Ángel Guerra (1891) to García Sánchez’s Ella, Drácula (2005).’&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;11:00 Mesa redonda (español)&lt;/strong&gt; modera: Antonio Alcalá (ITESM, ccm / FFyL, UNAM)&lt;br /&gt;&lt;strong&gt;David Jiménez Ixta&lt;/strong&gt; (UAM): ‘El monstruo, el vampiro y el licántropo.’&lt;br /&gt;&lt;strong&gt;Francisco Lima Baca&lt;/strong&gt; (El Colegio de México): ‘”El infiel (Fragmentos de un diario de Jonathan Harker)” de Francisco Segovia y “El diario de Jonathan Harker” de Bram Stoker. La concepción del pecado a través de la ficcionalización y la reescritura.’&lt;br /&gt;&lt;strong&gt;José Julio García Murillo&lt;/strong&gt; (Museo Universitario Arte Contemporáneo, UNAM): ‘El monstruo invisible: Archivo gótico y su inversión radical en Historia del ojo de Bataille.’&lt;br /&gt;&lt;strong&gt;Luis Alberto López Matus Villegas&lt;/strong&gt; (Universidad La Salle / Centro de Estudios Cinematográficos INDIE): ‘La providencia demoniaca y su expresión en el arte: El nacimiento necesario del monstruo.’&lt;br /&gt;&lt;strong&gt;Eloisa Mora Ojeda&lt;/strong&gt; (Posgrado de Diseño Industrial, UNAM): ‘Lo gótico como un registro estético inscrito en el proyecto moderno: una lectura desde el diseño industrial.’&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;13:00 Conferencia magistral (español)&lt;/strong&gt; presenta: Antonio Alcalá (ITESM, ccm / FFyL, UNAM)&lt;br /&gt;&lt;strong&gt;Carlos Alberto Vargas&lt;/strong&gt; (FCPyS, UNAM): ‘El rasgo de perversión en el psicoanálisis Lacaniano; El lado oculto del deseo prohibido.’&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;16:00 Mesa redonda (español)&lt;/strong&gt; modera: Aurora Piñeiro Carballeda (FFyL, UNAM)&lt;br /&gt;&lt;strong&gt;Antonio Sustaita&lt;/strong&gt; (ITESM, ccm): ‘Del sueño a la pesadilla: el cuerpo monstruoso en Mujer casa de Louise Bourgois.’&lt;br /&gt;&lt;strong&gt;Leonardo Martínez Vega&lt;/strong&gt; (El Colegio de México): ‘Monstruos de ayer y hoy: King Rat de China Miéville.’&lt;br /&gt;&lt;strong&gt;Jorge Hernández Jiménez&lt;/strong&gt; (FFyL, UNAM): ‘”Meu humorzinho…”: Las perspectivas del monstruo en las tiras de Rafael Sica.’&lt;br /&gt;&lt;strong&gt;Axcaitl Montserrat Ramírez Lemus&lt;/strong&gt; (FFyL, UNAM): ‘Terror dulce. Una representación del monstruo en el arte digital.’&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;18:00 Mesa redonda (español) modera: Miriam Guzmán&lt;/strong&gt; (Centro Universitario Cultural)&lt;br /&gt;&lt;strong&gt;Nora De La Cruz&lt;/strong&gt; (FFyL, UNAM): ‘La visión romántica de lo monstruoso en “El hombre de arena”, de E. T. A. Hoffman.’&lt;br /&gt;&lt;strong&gt;Gabriela Torres González&lt;/strong&gt; (FFyL, UNAM): ‘La cautiva de Matthew G. Lewis: terror en escena.’&lt;br /&gt;&lt;strong&gt;Eduardo Juscelino Díaz Martínez&lt;/strong&gt; (FFyL, UNAM): ‘El vampiro dandesco en “The Vampyre” de John Polidori.’&lt;br /&gt;&lt;strong&gt;Julia Muñoz Velasco&lt;/strong&gt; (Univ, LaSalle): ‘La ominosidad de la indistinción, el problema del monstruo en la novela Dr. Jekyll y Mr. Hyde de Robert Louis Stevenson, como inversión de la propuesta moral kantiana.’&lt;br /&gt;&lt;strong&gt;Antonieta López Ricoy&lt;/strong&gt; (FFyL, UNAM): ‘Los elementos del género gótico en The Virgin Suicide de Jeffrey Eugenides.’&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="color: rgb(255, 204, 102);"&gt;Martes 23 de marzo&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;10:00 Mesa redonda (español)&lt;/strong&gt; modera: Gerardo Ortiz (Facultad de Psicología, UNAM)&lt;br /&gt;&lt;strong&gt;Nini Johanna Sánchez Ávila&lt;/strong&gt; (Universidad La Gran Colombia):’De la inmortalidad a la monstruosidad: la exteriorización del mal en la figura del vampiro y su evolución como imagen de representación colectiva.’&lt;br /&gt;&lt;strong&gt;Anna Reid&lt;/strong&gt; (Universidad Autónoma de Morelos): ‘¿Quién es el monstruo? Vampiros, marginados y asesinos en Déjame entrar de John Ajvide Lindqvist.’&lt;br /&gt;&lt;strong&gt;Ramón Barcenas Anda&lt;/strong&gt; (Univ. de Guanajuato): ‘La experiencia del horror sobrenatural en H. P. Lovecraft.’&lt;br /&gt;&lt;strong&gt;Jesus Ángel Torrijos Mayén&lt;/strong&gt; (FES Acatlán, UNAM): ‘El castillo de Malbork y los caballeros teutónicos, el gran impulso de la arquitectura militar gótica.’&lt;br /&gt;&lt;strong&gt;Liliana García Rodríguez&lt;/strong&gt; (FFyL, UNAM): ‘Elementos góticos presentes en Los Olvidados de Luis Buñuel.’&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;12:00 Conferencia magistral (español)&lt;/strong&gt; presenta: Gerardo Ortiz (Facultad de Psicología, UNAM)&lt;br /&gt;Jessica Locke (University of Mary Washington, EE.UU): ‘Los monstruos que llevamos dentro: El fenómeno Crepúsculo.’&lt;br /&gt;&lt;br /&gt;16:00 Mesa redonda (inglés) modera: Carlos Melo Díaz (FFyL, UNAM)&lt;br /&gt;&lt;strong&gt;Enrique Ajuria Ibarra&lt;/strong&gt; (Lancaster University, Reino Unido): ‘The vampire and the unsettled uncanny in Guillermo del Toro’s Cronos.’&lt;br /&gt;&lt;strong&gt;Christine Beagle&lt;/strong&gt; (University of New Mexico, EE.UU): ‘Rhetoric of the Monster: Construction of Fear through Figures and Tropes in Rudolfo Anaya’s Murder Mysteries.’&lt;br /&gt;&lt;strong&gt;Shoshannah Ganz&lt;/strong&gt; (Laurentian University, Canadá): ‘Margaret Atwood’s Monsters in the Canadian Ecogothic.’&lt;br /&gt;&lt;strong&gt;Martina U. Jauch&lt;/strong&gt; (Purdue University, EE.UU)): ‘Theodor Fontane's Gothic Hunting for the Criminal's Nature.’&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;18:00 Mesa redonda (español)&lt;/strong&gt; modera: Miriam Guzmán (Centro Universitario Cultural)&lt;br /&gt;&lt;strong&gt;Francisco Javier de Léon Ramírez&lt;/strong&gt; (FFyL, UNAM): ‘Las errancias de los cuerpos (Desencuentros de la criatura de Frankenstein y Melmoth el Errabundo).’&lt;br /&gt;&lt;strong&gt;Carolina Abello Onofre&lt;/strong&gt; (Pontificia Universidad Javeriana, en Bogotá): ‘La ansiedad del no-futuro en un paraíso perdido: la monstruosidad punk en Fungus the Bogeyman de Raymond Briggs.’&lt;br /&gt;&lt;strong&gt;Berenice Romano Hurtado&lt;/strong&gt; (El Colegio de México): ‘La desaparición del sujeto frente a su doble monstruoso.’&lt;br /&gt;&lt;strong&gt;Daniel Orizaga Doguim&lt;/strong&gt; (Universidad Autónoma de Querétaro): ‘La generación del Crack y Micropédia de Ignacio Padilla.’&lt;br /&gt;&lt;strong&gt;Mayra Citlali Rojo Gómez&lt;/strong&gt; (FFyL, UNAM): ‘El monstruo como figura de una economía de la destrucción.’&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color: rgb(255, 204, 51);font-size:180%;" &gt;Miércoles 24 de marzo&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;10:00 Mesa redonda (español)&lt;/strong&gt; modera: Iván Pozos (FES Iztacala, UNAM)&lt;br /&gt;&lt;strong&gt;Gerardo Altamirano&lt;/strong&gt; (FFyL, UNAM): ‘”Y en todas estas islas existe gente de muy diversas formas, pero todos son horrorosos a la vista”: un libro de monstruos inserto en el Libro de las maravillas de Jean de Mandeville.’&lt;br /&gt;&lt;strong&gt;Ana Elena González Treviño&lt;/strong&gt; (FFyL, UNAM): ‘El monstruo y la imprenta en el siglo XVIII.’&lt;br /&gt;&lt;strong&gt;María Jazmina Barrera Velázquez&lt;/strong&gt; (FFyL, UNAM): ‘Melancolía por el monstruo: El coco de Dino Buzzati.’&lt;br /&gt;&lt;strong&gt;Fernando Martínez Castillo&lt;/strong&gt; (FFyL, UNAM): ‘Evolución del vampiro como símbolo. Tres momentos cumbre.’&lt;br /&gt;&lt;strong&gt;Carlos Manuel Cruz Meza&lt;/strong&gt; (Universidad Veracruzana): ‘El Monstruo Contemporáneo: la figura del asesino en serie.’&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;12:00 Conferencia magistral (inglés)&lt;/strong&gt; presenta: Dr. Clark Murray (ITESM, ccm)&lt;br /&gt;&lt;strong&gt;Karen MacFarlane&lt;/strong&gt; (Mount St. Vincent University, Canadá): ‘Here be Monsters: Imperialism, Knowledge and the Limits of Empire.’&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;13:00 Conferencia magistral (inglés)&lt;/strong&gt; presenta: Peter Theis (ITESM, ccm)&lt;br /&gt;&lt;strong&gt;Marie Mulvey-Roberts&lt;/strong&gt; (University of the West of England, Bristol): ‘Brides of Frankenstein and Screen Femme Fatales: From text to flesh.’&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;16:00 Mesa redonda (español)&lt;/strong&gt; modera: Iván Pozos (FES Iztacala, UNAM)&lt;br /&gt;&lt;strong&gt;Jorge Villasana&lt;/strong&gt; (Casa Lamm): ‘La monstruosidad en las figuras fantasmagóricas de las leyendas de la ciudad de México: Un acercamiento a la visión de Juan de Dios Peza.’&lt;br /&gt;&lt;strong&gt;Daniela Orostegui Iribarren&lt;/strong&gt; (Universidad de Chile): ‘Figuras monstruosas en la obra de José Donoso.’&lt;br /&gt;&lt;strong&gt;Roque Alarcón Guerrero&lt;/strong&gt; (FI, UNAM): ‘La plegaria y el estruendo Cine, monstruos y los rituales sonoro-musicales que los invocan.’&lt;br /&gt;&lt;strong&gt;Eduardo Vallejo Pacheco&lt;/strong&gt; (UDLA Puebla / AMCI): ‘Lo innombrable en H. P. Lovecraft.’&lt;br /&gt;&lt;strong&gt;Angelica Vargas Anaya&lt;/strong&gt; (UACM): ‘El sentido de lo Gótico y los arquetipos en los jóvenes.’&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;18:00 Mesa redonda (español)&lt;/strong&gt; modera: Marina Fe (FFyL, UNAM)&lt;br /&gt;&lt;strong&gt;Velebita Koričančić&lt;/strong&gt; (FFyL, UNAM): ‘Dos poéticas transculturales del vampiro. La uruguaya Delmira Agustini y el croata Antun Branko Šimić.’&lt;br /&gt;&lt;strong&gt;Patricia Villegas Aguilar&lt;/strong&gt; (UIA): ‘Utopía y contrautopía o el backstage: en Los sueños de la bella durmiente de Emiliano González.’&lt;br /&gt;&lt;strong&gt;Gabriel Hernández Soto&lt;/strong&gt; (FFyL, UNAM): ‘El vampiro vuelto detective (Transgresión de las fronteras genéricas en Asesinato en una lavandería china de Juan José Rodríguez.)’&lt;br /&gt;&lt;strong&gt;Karen Alejandra Calvo Díaz&lt;/strong&gt; (Universidad de Costa Rica): ‘De la carne a la sangre: la representación del monstruo necrófago en la literatura costarricense neogótica.’ &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-3940223911869757450?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/3940223911869757450/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=3940223911869757450' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/3940223911869757450'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/3940223911869757450'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2010/02/coloquio-gotico-2010.html' title='PROGRAMA  2010: &apos;El Monstruo en el Arte y sus Distintas Manifestaciones&apos; 22-24 de Marzo'/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-7857497040444086401</id><published>2009-04-13T13:15:00.000-07:00</published><updated>2009-04-17T08:18:13.196-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Reseña del coloquio 2009'/><title type='text'>Reseña: 'Coloquio Gótico 2009: Tradición y Evolución de un modo Artístico'</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_UQc4VhtWzSs/SeOdlIZtjGI/AAAAAAAAAF0/b-cjoHbB11E/s1600-h/Monday+30.JPG"&gt;&lt;img style="MARGIN: 0pt 10px 10px 0pt; WIDTH: 320px; FLOAT: left; HEIGHT: 240px; CURSOR: pointer" id="BLOGGER_PHOTO_ID_5324272445718105186" border="0" alt="" src="http://3.bp.blogspot.com/_UQc4VhtWzSs/SeOdlIZtjGI/AAAAAAAAAF0/b-cjoHbB11E/s320/Monday+30.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;2009: Mesa Inaugural: El gótico clásico, la psicología de lo gótico, y sus actuales manifestaciones en cine y postmodernismo&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;p style="TEXT-ALIGN: justify; LINE-HEIGHT: 150%; MARGIN: 0cm 0cm 0pt" class="MsoNormal"&gt;&lt;span style="LINE-HEIGHT: 150%; mso-ansi-language: ES-MXfont-size:10;color:red;" lang="ES-MX"  &gt;&lt;span style="color:#ccccff;"&gt;&lt;span style="font-family:arial;"&gt;El &lt;em&gt;2º Coloquio Gótico 2009: Tradición y Evolución de un Modo Artístico&lt;/em&gt; repitió el éxito de su predecesor. Nuevamente contamos con una nutrida participación de alumnos y profesores pertenecientes tanto a la UNAM como a otras instituciones nacionales y del extranjero. Todos colaboraron con iluminantes ponencias que analizaron el papel del gótico en la literatura y más allá, pues, continuando, con lo propuesto en el 1er coloquio, se propuso al gótico como un género, modo o estilo que va más allá del periodo conocido como ‘gótico clásico’. Lo gótico, según nos mostraron los participantes en la mesa inaugural, se torna en una serie de convenciones que viven allende los límites presentes en las barreras que denominamos tiempo, idioma y género.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="TEXT-ALIGN: justify; LINE-HEIGHT: 150%; MARGIN: 0cm 0cm 0pt" class="MsoNormal"&gt;&lt;span style="LINE-HEIGHT: 150%; mso-ansi-language: ES-MXfont-size:10;color:red;" lang="ES-MX"  &gt;&lt;span style="color:#ccccff;"&gt;&lt;span style="font-family:arial;"&gt;&lt;?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="TEXT-ALIGN: justify; LINE-HEIGHT: 150%; MARGIN: 0cm 0cm 0pt" class="MsoNormal"&gt;&lt;span style="LINE-HEIGHT: 150%; mso-ansi-language: ES-MXfont-size:10;color:red;" lang="ES-MX"  &gt;&lt;o:p&gt;&lt;span style="font-family:arial;color:#ccccff;"&gt;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="TEXT-ALIGN: justify; LINE-HEIGHT: 150%; MARGIN: 0cm 0cm 0pt" class="MsoNormal"&gt;&lt;span style="LINE-HEIGHT: 150%; mso-ansi-language: ES-MXfont-size:10;color:red;" lang="ES-MX"  &gt;&lt;span style="color:#ccccff;"&gt;&lt;span style="font-family:arial;"&gt;La riqueza y variedad de lo gótico se continuaron haciendo manifiestas en la última mesa del primer día. la cual se centró en el análisis de elementos góticos en la obra de Reyes, Fuentes y Luisa Valenzuela, así como en la primera mesa del segundo día donde se analizaron algunas manifestaciones góticas en arte gráfico, cine y medios masivos.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="TEXT-ALIGN: justify; LINE-HEIGHT: 150%; MARGIN: 0cm 0cm 0pt" class="MsoNormal"&gt;&lt;span style="LINE-HEIGHT: 150%; mso-ansi-language: ES-MXfont-size:10;color:red;" lang="ES-MX"  &gt;&lt;span style="color:#ccccff;"&gt;&lt;span style="font-family:arial;"&gt;La tarde del último día nos acercó primero al matrimonio de lo gótico con la música para cerrar después con un brillante recuento de las convenciones góticas, viajando desde las nociones del hombre lobo presentes en la edad media, hasta el gótico sureño, pasando también por el gótico decadente del periodo victoriano. A todo lo anterior no podemos dejar de añadir la mención que merecen los participantes extranjeros quienes nos visitaron con ideas que enriquecieron el estudio del gótico clásico, así como el de sus manifestaciones y evolución en cine, arte gráfico y plástica.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="TEXT-ALIGN: justify; LINE-HEIGHT: 150%; MARGIN: 0cm 0cm 0pt" class="MsoNormal"&gt;&lt;span style="LINE-HEIGHT: 150%; mso-ansi-language: ES-MXfont-size:10;color:red;" lang="ES-MX"  &gt;&lt;span style="color:#ccccff;"&gt;&lt;span style="font-family:arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="TEXT-ALIGN: justify; LINE-HEIGHT: 150%; MARGIN: 0cm 0cm 0pt" class="MsoNormal"&gt;&lt;span style="LINE-HEIGHT: 150%; mso-ansi-language: ES-MXfont-size:10;color:red;" lang="ES-MX"  &gt;&lt;o:p&gt;&lt;span style="font-family:arial;color:#ccccff;"&gt;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="TEXT-ALIGN: justify; LINE-HEIGHT: 150%; MARGIN: 0cm 0cm 0pt" class="MsoNormal"&gt;&lt;span style="LINE-HEIGHT: 150%; mso-ansi-language: ES-MXfont-size:10;color:red;" lang="ES-MX"  &gt;&lt;span style="color:#ccccff;"&gt;&lt;span style="font-family:arial;"&gt;Cabe señalar que en esta edición del coloquio, se contó además con la participación de los editores de las publicaciones &lt;i style="mso-bidi-font-style: normal"&gt;Lunas negras&lt;/i&gt;,&lt;i style="mso-bidi-font-style: normal"&gt; Legión&lt;/i&gt;,&lt;i style="mso-bidi-font-style: normal"&gt; &lt;/i&gt;y &lt;i style="mso-bidi-font-style: normal"&gt;Sangre y cenizas&lt;/i&gt; quienes exploraron los orígenes, mutaciones y realidades del vocablo ‘gótico’ en el ámbito social de los últimos 20 años en México. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="TEXT-ALIGN: justify; LINE-HEIGHT: 150%; MARGIN: 0cm 0cm 0pt" class="MsoNormal"&gt;&lt;span style="LINE-HEIGHT: 150%; mso-ansi-language: ES-MXfont-size:10;color:red;" lang="ES-MX"  &gt;&lt;span style="color:#ccccff;"&gt;&lt;span style="font-family:arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="TEXT-ALIGN: justify; LINE-HEIGHT: 150%; MARGIN: 0cm 0cm 0pt" class="MsoNormal"&gt;&lt;span style="LINE-HEIGHT: 150%; mso-ansi-language: ES-MXfont-size:10;color:red;" lang="ES-MX"  &gt;&lt;o:p&gt;&lt;span style="font-family:arial;color:#ccccff;"&gt;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="TEXT-ALIGN: justify; LINE-HEIGHT: 150%; MARGIN: 0cm 0cm 0pt" class="MsoNormal"&gt;&lt;span style="LINE-HEIGHT: 150%; mso-ansi-language: ES-MXfont-size:10;color:red;" lang="ES-MX"  &gt;&lt;span style="color:#ccccff;"&gt;&lt;span style="font-family:arial;"&gt;Finalmente, sólo resta mencionar que la motivante respuesta por parte tanto del público como de los participantes, deja abierta la puerta para esperar la convocatoria al &lt;em&gt;3er Coloquio Gótico 2010: Monstruosidad&lt;/em&gt;, cuya convocatoria aparecerá el próximo verano.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-7857497040444086401?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/7857497040444086401/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=7857497040444086401' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/7857497040444086401'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/7857497040444086401'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2009/04/2009-mesa-inaugural-el-gotico-clasico.html' title='Reseña: &apos;Coloquio Gótico 2009: Tradición y Evolución de un modo Artístico&apos;'/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_UQc4VhtWzSs/SeOdlIZtjGI/AAAAAAAAAF0/b-cjoHbB11E/s72-c/Monday+30.JPG' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-2129064380013979864</id><published>2009-04-13T13:08:00.000-07:00</published><updated>2009-04-13T13:11:44.404-07:00</updated><title type='text'></title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_UQc4VhtWzSs/SeOb54lEsDI/AAAAAAAAAFs/tYTD7L1o0EQ/s1600-h/Wednesday+1+%2829%29.JPG"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 320px; height: 240px;" src="http://1.bp.blogspot.com/_UQc4VhtWzSs/SeOb54lEsDI/AAAAAAAAAFs/tYTD7L1o0EQ/s320/Wednesday+1+%2829%29.JPG" alt="" id="BLOGGER_PHOTO_ID_5324270603224789042" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;2009: Mesa de clausura; El gótico desde los hombres lobo según la edad media, hasta el gótico sureño, a través del gótico victoriano y la decadencia del &lt;/span&gt;&lt;span style="font-style: italic; font-weight: bold;"&gt;fin de siécle&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-2129064380013979864?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/2129064380013979864/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=2129064380013979864' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/2129064380013979864'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/2129064380013979864'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2009/04/mesa-de-clausura-el-gotico-desde-los.html' title=''/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_UQc4VhtWzSs/SeOb54lEsDI/AAAAAAAAAFs/tYTD7L1o0EQ/s72-c/Wednesday+1+%2829%29.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-2630803975365031837</id><published>2009-04-13T13:05:00.000-07:00</published><updated>2009-04-17T08:16:12.388-07:00</updated><title type='text'></title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_UQc4VhtWzSs/SeObgIO1ZcI/AAAAAAAAAFc/9ggVAQSZNPE/s1600-h/Tuesday+31+%2820%29.JPG"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 320px; DISPLAY: block; HEIGHT: 240px; CURSOR: pointer" id="BLOGGER_PHOTO_ID_5324270160749880770" border="0" alt="" src="http://3.bp.blogspot.com/_UQc4VhtWzSs/SeObgIO1ZcI/AAAAAAAAAFc/9ggVAQSZNPE/s320/Tuesday+31+%2820%29.JPG" /&gt;&lt;/a&gt;&lt;span style="FONT-WEIGHT: bold"&gt;2009: El gótico en el arte gráfico, el cine y los medios masivos&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_UQc4VhtWzSs/SeObRVXbqXI/AAAAAAAAAFU/vORdZwLx3G8/s1600-h/Wednesday+1+%2820%29.JPG"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 320px; DISPLAY: block; HEIGHT: 240px; CURSOR: pointer" id="BLOGGER_PHOTO_ID_5324269906577566066" border="0" alt="" src="http://2.bp.blogspot.com/_UQc4VhtWzSs/SeObRVXbqXI/AAAAAAAAAFU/vORdZwLx3G8/s320/Wednesday+1+%2820%29.JPG" /&gt;&lt;/a&gt;&lt;span style="FONT-WEIGHT: bold"&gt;2009: El gótico y sus manifestaciones en la música actual&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-2630803975365031837?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/2630803975365031837/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=2630803975365031837' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/2630803975365031837'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/2630803975365031837'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2009/04/el-gotico-en-el-arte-grafico-el-cine-y.html' title=''/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_UQc4VhtWzSs/SeObgIO1ZcI/AAAAAAAAAFc/9ggVAQSZNPE/s72-c/Tuesday+31+%2820%29.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-1170133975612831398</id><published>2009-04-13T13:02:00.000-07:00</published><updated>2009-04-17T08:16:36.587-07:00</updated><title type='text'></title><content type='html'>&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 320px; DISPLAY: block; HEIGHT: 240px; CURSOR: pointer" id="BLOGGER_PHOTO_ID_5324269610112984306" border="0" alt="" src="http://3.bp.blogspot.com/_UQc4VhtWzSs/SeObAE8xJPI/AAAAAAAAAFM/RSU8iePblII/s320/Monday+30+%2849%29.JPG" /&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;2009: El gótico en latinoamérica&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_UQc4VhtWzSs/SeOat1A8ZCI/AAAAAAAAAFE/ZUamNiNVifE/s1600-h/Tuesday+31+%2831%29.JPG"&gt;&lt;img style="TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 320px; DISPLAY: block; HEIGHT: 240px; CURSOR: pointer" id="BLOGGER_PHOTO_ID_5324269296597885986" border="0" alt="" src="http://1.bp.blogspot.com/_UQc4VhtWzSs/SeOat1A8ZCI/AAAAAAAAAFE/ZUamNiNVifE/s320/Tuesday+31+%2831%29.JPG" /&gt;&lt;/a&gt;&lt;span style="FONT-WEIGHT: bold"&gt;2009: El gótico en la lengua inglesa&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_UQc4VhtWzSs/SeOftMrD9NI/AAAAAAAAAF8/uXOaPY3CYDk/s1600-h/Tuesday+31+(57).JPG"&gt;&lt;img style="MARGIN: 0px 10px 10px 0px; WIDTH: 320px; FLOAT: left; HEIGHT: 240px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5324274783326827730" border="0" alt="" src="http://1.bp.blogspot.com/_UQc4VhtWzSs/SeOftMrD9NI/AAAAAAAAAF8/uXOaPY3CYDk/s320/Tuesday+31+(57).JPG" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;2009: La escena gótica actual&lt;/strong&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-1170133975612831398?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/1170133975612831398/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=1170133975612831398' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/1170133975612831398'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/1170133975612831398'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2009/04/el-gotico-en-latinoamerica-el-gotico-en.html' title=''/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_UQc4VhtWzSs/SeObAE8xJPI/AAAAAAAAAFM/RSU8iePblII/s72-c/Monday+30+%2849%29.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-6469300562836661807</id><published>2009-04-13T12:57:00.000-07:00</published><updated>2009-04-13T13:18:09.989-07:00</updated><title type='text'></title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_UQc4VhtWzSs/SeOaESUzNUI/AAAAAAAAAEs/7O2j7kiMM0U/s1600-h/Tuesday+31+%2818%29.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 240px;" src="http://2.bp.blogspot.com/_UQc4VhtWzSs/SeOaESUzNUI/AAAAAAAAAEs/7O2j7kiMM0U/s320/Tuesday+31+%2818%29.JPG" alt="" id="BLOGGER_PHOTO_ID_5324268582911292738" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;Dra Anne Quemá (Acadia University) Ponente Plenaria&lt;/span&gt;&lt;span style="font-weight: bold;"&gt; 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_UQc4VhtWzSs/SeOZiTWMt5I/AAAAAAAAAEk/lElqsKT0KHg/s1600-h/Monday+30+%2840%29.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 240px;" src="http://3.bp.blogspot.com/_UQc4VhtWzSs/SeOZiTWMt5I/AAAAAAAAAEk/lElqsKT0KHg/s320/Monday+30+%2840%29.JPG" alt="" id="BLOGGER_PHOTO_ID_5324267999070042002" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;Dr Charles Shiro Inouye (Tufts University) Ponente Plenario &lt;/span&gt;&lt;span style="font-weight: bold;"&gt; 2009&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-6469300562836661807?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/6469300562836661807/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=6469300562836661807' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/6469300562836661807'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/6469300562836661807'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2009/04/dra-anne-quema-acadia-university.html' title=''/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_UQc4VhtWzSs/SeOaESUzNUI/AAAAAAAAAEs/7O2j7kiMM0U/s72-c/Tuesday+31+%2818%29.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3866154621293818565.post-3585782805942165547</id><published>2009-02-26T08:29:00.000-08:00</published><updated>2009-03-23T20:48:40.645-07:00</updated><title type='text'>Programa 2009</title><content type='html'>&lt;span style="color:#ff0000;"&gt;Lunes 30 de marzo&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;12.00 hrs. Inauguración y mesa redonda (español) modera: Antonio Alcalá (FFyL)&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;&lt;strong&gt;Gerardo Ortiz&lt;/strong&gt; (UPN): ‘Del corazón delator al gato negro: Análisis del horror inter- y extrapsíquico’&lt;br /&gt;&lt;strong&gt;Carlos Manuel Cruz Meza&lt;/strong&gt; (Centro Cultural FridArte): ‘Gótica: Literatura y cinematografía’&lt;br /&gt;&lt;strong&gt;Miriam López Santos&lt;/strong&gt; (Universidad de León, España): ‘La novela gótica en el marco de la literatura fantástica’&lt;br /&gt;&lt;strong&gt;Marina Fe&lt;/strong&gt; (FFyL, UNAM): ‘Lady Oracle y el gótico posmoderno’&lt;br /&gt;&lt;br /&gt;16.00 hrs. Conferencia plenaria (inglés) presenta: Gerardo Ortiz (UPN) &lt;/span&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;&lt;strong&gt;Charles Shiro Inouye&lt;/strong&gt; (Tufts University, EE.UU): ‘Postmodern Gothic: Resurrecting a Buried Figurality’&lt;br /&gt;&lt;br /&gt;17:00 hrs. Mesa redonda (español) modera: Eileen Soria (FFyL)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Gerardo Vega Sánchez&lt;/strong&gt; (FFyL, UNAM): ‘La oscuridad y el jardín: Elementos góticos en “La cena” de Alfonso Reyes’&lt;br /&gt;&lt;strong&gt;Jessica C. Locke&lt;/strong&gt; (University of Mary Washington, EE.UU): ‘Los personajes femeninos en la ficción neo-gótica urbana de Carlos Fuentes’&lt;br /&gt;&lt;strong&gt;Taylor Christian Hall&lt;/strong&gt; (University of Mary Washington, EE.UU): ‘”Chac Mool” y lo neogótico mexicano’&lt;br /&gt;&lt;strong&gt;Vanesa Tello Hernández&lt;/strong&gt; (FFyL, UNAM): ‘El autoritarismo: Un terror real en América Latina’&lt;br /&gt;&lt;strong&gt;Mayra Margarito Gaspar&lt;/strong&gt; (Universidad de Guadalajara): ‘Aura y Amalia: Dos mujeres góticas mexicanas’&lt;br /&gt;&lt;br /&gt;Martes 31 de marzo&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;11:00 hrs. Conferencia plenaria (inglés) presenta: Carlos Melo (FFyL) &lt;/span&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;&lt;strong&gt;Anne Quéma&lt;/strong&gt; (Acadia University, Canadá): ‘The persistence and ubiquity of gothic culture’&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#ff0000;"&gt;&lt;/span&gt;&lt;span style="color:#ff0000;"&gt;&lt;br /&gt;12:00 hrs. Mesa redonda (español) modera: Miriam Guzmán (CUC)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jorge Ernesto Villasana&lt;/strong&gt; (U. Claustro de Sor Juana): ‘Las imágenes del terror y los monstruos de la razón (intertextualidad entre Goya y la literatura gótica de terror)’&lt;br /&gt;&lt;strong&gt;Antonio Alcalá&lt;/strong&gt; (FFyL, UNAM / TEC, ccm): ‘Espejos y doppelgangers: La dualidad inherente a los héroes de Zion y Gotham City’&lt;br /&gt;&lt;strong&gt;Nadina Olmedo&lt;/strong&gt; (University of Kentuchy, EE.UU): ‘De los Cárpatos a la Patagonia o la mudanza de los vampiros: Gótico y exploitation cinema en Argentina’&lt;br /&gt;&lt;strong&gt;Casandra Vicario&lt;/strong&gt; (IMER): ‘Media Gothic: El gótico en radio y televisión’&lt;br /&gt;&lt;br /&gt;16:00 hrs. Mesa redonda (inglés) modera: Dr. Clark Murray (TEC, ccm)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cesar L. Soto&lt;/strong&gt; (CSU, Northridge, EE.UU): ‘Public gothic: The gothicism of romantic periodical writing’&lt;br /&gt;&lt;strong&gt;Ronja Vieth&lt;/strong&gt; (Texas Tech University, EE.UU): ‘Gothic literature: A local and global phenomenon’&lt;br /&gt;&lt;strong&gt;Shoshannah Ganz&lt;/strong&gt; (Laurentian University, Sudbury, Canadá): ‘Displacing the gothic: Canada goes to Mexico’ &lt;/span&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;&lt;strong&gt;Steven Bruhm&lt;/strong&gt; (The Univ. of Western Ontario, Canadá): ‘Cell Phones from Hell’&lt;br /&gt;&lt;strong&gt;Bronwen Welch&lt;/strong&gt; (University of Victoria, Canadá): ‘The Tracy fragments by Bruce McDonald as a gothic escape’&lt;br /&gt;&lt;br /&gt;18:00 hrs. Mesa redonda (español) modera: José Luis García (CUC)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;‘La escena oscura, el gótico de nuestros tiempos’&lt;br /&gt;&lt;/strong&gt;(Debate en torno al gótico y la sociedad desde el punto de vista editorial)&lt;br /&gt;&lt;strong&gt;Elizabeth Herrera Gallardo&lt;/strong&gt; (Proyecto por la No Violencia, titulado Lunas Negras)&lt;br /&gt;&lt;strong&gt;Daniel De La Fuente Jayme&lt;/strong&gt; (Revista Legión)&lt;br /&gt;&lt;strong&gt;Cristhian Chavero López&lt;/strong&gt; (Revista Dark)&lt;br /&gt;&lt;br /&gt;Miércoles 1 de abril&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;11:00 hrs. Conferencia plenaria (inglés) presenta: Antonio Alcalá (FFyL)&lt;br /&gt;&lt;strong&gt;Joan Hawkins&lt;/strong&gt; (Indiana University. EE.UU): ‘Gothic cinema and the Avant-garde’&lt;br /&gt;&lt;br /&gt;12:00 hrs. Proyección de la película: &lt;em&gt;&lt;strong&gt;The Call of Cthulhu&lt;/strong&gt;&lt;/em&gt; Dir. Andrew Leman&lt;br /&gt;&lt;br /&gt;16:00 hrs. Mesa redonda (español) modera: Raúl Castro (CUC)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Montserrat Reyes Orraca&lt;/strong&gt; (U. Iberoamericana): ‘El reinado del caos’&lt;br /&gt;&lt;strong&gt;Víctor Torres&lt;/strong&gt; (ENAH): ‘La bruja de Chano Urueta: La dualidad en el cine gótico mexicano’&lt;br /&gt;&lt;strong&gt;Melisa Larios Luna&lt;/strong&gt; (FFyL, UNAM): ‘Sopor aeternus: Poe reloaded’&lt;br /&gt;&lt;strong&gt;Jorge Abraham Sánchez&lt;/strong&gt; (FFyL, UNAM): ‘Lovecraft: Música, metal y misantropía’&lt;br /&gt;&lt;br /&gt;18.00 hrs. Mesa redonda (español) modera: Lidia Fabián (FFyL)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Gerardo Altamirano&lt;/strong&gt; (FFyL, UNAM): ‘De fictos lupos: El libro de los hombres lobo, entre el cientificismo y la superstición’&lt;br /&gt;&lt;strong&gt;Anna Reid&lt;/strong&gt; (Universidad Autónoma del Estado de Morelos): ‘Transformación y horror en El gran dios Pan’&lt;br /&gt;&lt;strong&gt;María del Sol Arteaga&lt;/strong&gt; (FFyL, UNAM): ‘La concepción del orden en “A Good Man is Hard to Find” de Flannery O’Connor’&lt;br /&gt;&lt;strong&gt;Aurora Piñeiro&lt;/strong&gt; (FFyL, UNAM): ‘ La música oscura en los cuentos de Carson McCullers’&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3866154621293818565-3585782805942165547?l=gothiccongress.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gothiccongress.blogspot.com/feeds/3585782805942165547/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=3866154621293818565&amp;postID=3585782805942165547' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/3585782805942165547'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3866154621293818565/posts/default/3585782805942165547'/><link rel='alternate' type='text/html' href='http://gothiccongress.blogspot.com/2009/02/programa-2009.html' title='Programa 2009'/><author><name>MLitt Tony Alcalá</name><uri>http://www.blogger.com/profile/14707396829608319140</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
